Eternals

Thanks for my beloved Pink Floyd in the opening, but otherwise, please disregard this God-knows-what episode of the cancer of the contemporary film industry. In the monstrously overblown runtime, it all emotionally passes you by in a big arc and deals with uninteresting things that have no continuity within the Marvel franchise. Kevin Feige may have made good on his promise to give space to unconventional directors, but I still wonder at the unconventional Chloé Zhao for going in as a mere disposable craftsperson. (29/01/2022)

An MCU-film coupled with the Oscar-winning director of the notable Nomadland immediately caught my attention, making a visit to the cinema almost urgent - despite the rather lukewarm trailer. At times, Eternals quite blatantly tries to be the most multi-cultural, tolerant and all-encompassing film from Marvel, which it manages to do in a universally unobtrusive manner for most of its running time. Technically, it's an audiovisual orgy, but that's what we're used to with films like this. I'd like to single out the appearance of the Deviants and Celestials. Aside from that, I enjoyed the various abilities and characteristics of the Eternals (Thena being most interesting to me), who were given ample space to be introduced where possible – hopefully we'll learn more in a possible sequel. I don't want to spoil anything here, but I appreciated the idea regarding the Eternals' main quest – it was similarly unsettling to Thanos's snap. Both post-credit scenes were a bit odd, but they served their purpose – curiosity is a bitch. (04/11/2021)

The most surprising comic book movie, at least within the MCU. Not only because of the whole range of stimulating themes it addresses, but unfortunately also because of how polarizing it is. Personally, I appreciate it for the amount of audacity and alluring elements it contains. I have seen the silent, contemplative, and in a way, adorable Eternals twice already, and each time the seemingly modest duration felt painfully too short for me. No joke, I would like a four-hour film or a slow-paced series because I am so drawn to this world, and it saddens me that due to obscure marketing it remained a mystery to the fan base before and after the premiere. Every time, after watching, I ponder for hours and days about the choices of the powerful, about predestination for great things, about fate and its variability, about the beauty of ordinary life, about love that can last a few days or centuries, and last but not least, about the inevitability of gaining and losing your closest friends. Only after all of that comes the pleasant wink in the form of the transmission of cultural values across eras, and I was okay even with those, but I still shake my head as to why this very small detail is such a red rag to the public. Such a peaceful film with a perfectly understandable and necessary message, and still it provokes such absurdly strong negative passions. (27/06/2022)

Breathtaking scale, action with beautiful exteriors and a monumental story about nothing less than the reason for the continuation of our existence in the universe. Eternals is an untraditional family team movie that spans about 7,000 years during one strange pregnancy. Zhao has given a serious face to Marvel, introducing powerful topics and bringing everything to a satisfying ending, which promises great things in his future movies. The actors are well-chosen, the correct types and even though the inclusion is flagrant and makes you ask yourself "why?", it can be overlooked and excused as bowing to journalists, because it does more harm than good to the story. Let’s go to Ajak first. She’ll know what to do. (14/01/2022)

First of all, I have to point out that Eternals is one of the more interesting Marvel movies. It is a rather whimsical and perhaps over-ambitious extravaganza that both introduces us to individual heroes and then quickly puts them into action collectively. It is as if all the origins of the first phase of the MCU up to the Avengers team-up were condensed into one single movie. So you can imagine that there is a shit-ton of unavoidable introductions and explanations vs. very little action (and when the action does come, it is a terrible mess of CGI). However, I was pleased to see that the main protagonists rather unusually and uniquely deal with at least some of the dilemmas of whether what they are doing is really the right thing to do. This therefore also makes the villains slightly ambiguous - I would like to see more of that approach in the future! Also, just when I had been so taken in by the rather impressive conclusion and was practically determined to give it four stars there came what was probably the worst mid-credits scene I have ever seen in the Marvel Universe. It seemed like it was something out of a Shrek movie, and therefore undermined any enthusiasm for what had happened before by reminding me what a calculated product it really is. Plus, if Marvel itself does not take its "different and ambitious" movie seriously, how could I respect it? (02/11/2021)