Highlander

A classic mainstream adventure with a perfect cast, impressive production design and a great premise, which, however, also became a stumbling block. It’s one thing to play with ideas of immortality and jump from the 16th century to the present day with a snap of the fingers, and something else is to tell a story detached from emotions, with clumsy effects and highlights in the form of static sword fights. Lambert is excellent in one of his few major roles, the music of Queen is fantastic and Connery is downright iconic. With a more elaborate and imaginative script, a remake should be a safe bet. 3.5* (30/07/2013)

Oh dear... What did I used to like about this? I remembered that Lambert and Connery were in it, and I thought it was really cool how they cut each other's heads off and got their energy back, but that's really all that makes this movie interesting... My rating of 50% is more out of nostalgia, because this doesn't appeal to me now. (05/12/2015)

It has its good moments, but none of them are actually happening at the moment. Yet Scotland is absolutely ideal - the filmmakers managed to find a compromise between an adventure atmosphere, an emotional romance, action and humor. The short insert with the Boston fight is also perfect, and it made me laugh unexpectedly (the complete opposite of the WWII scene, where I didn't understand whether the ending was supposed to be funny or not). As for the rest, see what I wrote. The present is weak, and unless the music by Queen is playing (the soundtrack is basically the A Kind of Magic album), many scenes look like something out of a B-movie (i.e., awkward, ridiculous, cheap) and the final drawn-out fight... That's really the "peak". Two and a half. (05/11/2013)

This film has one great thing: the beautiful Scottish landscape and the mysticism of the flashbacks. The story taking place in the present is predicable and boring, and it’s not even helped by the B-movie like performances, which in this case I found incredibly annoying. To be fair, though, I’ve never liked fantasy in any form, not only in film. (10/04/2009)

The band Queen playing in the background tells you everything you need to know about this movie. Highlander is the cinematic equivalent of 80s stadium rock, where monumentality is the alpha and effect is the omega. Almost all of the scenes here are subservient to that mindset and therefore for the most part make no sense, are ridiculously bloated, but impossible to take your eyes off of. Mulcahy's visual creativity here is incredible; indeed, some of the special effects and camerawork in Highlander were even patented. The cinematographer probably only took the steadycam off when he went to bed at night, yet he couldn't be allowed much in the way of freedom of movement due to the harsh close-up lighting of so many of the scenes. Mulcahy's magnum opus deceives you from the beginning with its focus and presentation of cinematic mythology, which creates the illusion of an elaborate inner world. But the second half thankfully makes clear why it was filmed in the first place – so a sleazy biker with a folding sword and a neck sewn up with safety pins can roam New York City while the hero sits in an abandoned bar with such harsh light coming through the blinds that there must have been at minimum a nuclear explosion outside. After that, the most surprising thing about the defining cult film of the 80s was how much of a showcase camp it was. With a group of people with beers in hand, you're in for a truly amazingly awful experience, which still doesn’t stop you from genuinely enjoying the film. Every, truly every scene contains some element that has you out of your seat laughing at it. Good-naturedly and enthusiastically. Everyone gets to pick their favorite. My favorite is unquestionably the one where one of the characters invites the protagonist home, tells him to tend bar for the time being, and he expertly opens a bottle of 1783 Hennessy for her. Lmao. (09/11/2020)