Chernobyl

I was going to write the event of the year, but this is the event of the century, because no series or movie has ever gotten more than 97% on FilmBooster, IMDB and similar ratings on Rotten Tomatoes, and the hype is well deserved. In five episodes, HBO serves us in detail the worst man-made disaster of 1986, and the series is a clear proof that the best screenplay is reality itself. The series features plenty of chilling, atmospheric and dense scenes (divers, disposal of infected animals, decomposing bodies in a hospital and self-sacrifice for humanity). Each episode is 100% and in each episode the series focuses on something different, all culminating in a tense trial where I forgot to breathe. The duo of Jared Harris and Stellan Skarsgård steal the show for themselves with their performances, and I really enjoyed the political meetings where the Soviet Union is shown in its true light. A proper piece of filmmaking and probably the most chilling, depressing and uncomfortable spectacle ever. A must see for all and I would make it mandatory at schools. 100% (06/06/2019)

The Chernobyl series is considered by many TV series fans and journalists to be the event of the year, and they spare no praise for the work of Craig Mazin as a screenwriter and Johan Renck as a director. I am not going to ride on freely exalted enthusiasm, we have plenty of others for that. I'm not afraid to say that it is an impressive work and above-average spectacle, but that can be expected from HBO and its immense potential, where the dominant role is played by the catastrophe itself, with a great probability. Nevertheless, some aspects of the project seem somewhat schematic, exaggeratedly dramatized, played for effect, and do not correspond to the situation (the fact that I am a professional in the field also plays a role, and details that a layman easily overlooks disturb me). I have a definite opinion about some of the characters. I perceive them differently than how they are served to us by the series creators - see the character of Dyatlov - that guy was indeed an arrogant bastard, but also a fighter, and his defense and arguments were completely different. Although admiration is expressed for how perfectly the series imitates the Soviet reality, in my opinion, it is limited to visually depicting the environment, and I think that poverty and dilapidation are emphasized too much. Nuclear workers were among the privileged elite and Pripyat was a new and glamorous city of the regime. The spirit of the time, the position of the players in the story in the Soviet present, and their awareness of their own possibilities were different. Sometimes, unbelievably naive dialogues can be heard, instructive for today's, let's be openly honest, Western viewers of the series.  "Heartbreaking" sentimental scenes of the "execution" of cute puppies are also filmed for them, which also sounds quite funny to those who know. Do you have any idea how the selection of boars during the threat of swine fever, the reduction of pigeons in cities, or ducks in reservations, or the mass slaughter of herds when suspected of salivation, take place? Some elements are exaggeratedly emphasized, while others, which are much more interesting, are not explored. Generally, I have a feeling that five episodes were too few, and most of the characters with tremendous potential just passed by in the series and the viewer has no chance to develop a proper relationship with them. For me, my overall impression is still 80%, taking into account that I found my own thing in it, and a lot of what bothers me, I attribute to the effort to tailor the project to the taste of the target audience. (03/06/2019)

Once again, HBO gave us their absolute best and introduced the viewers to an elaborate adaptation of the most significant nuclear catastrophe to ever happen on Earth. And even though they didn’t cover everything they could have in 5 episodes, they covered everything they needed so they could sell the idea and pass something on at the same time – the repulsiveness of the Soviet regime but also the proof that humanity and heroism exist everywhere. The first two episodes were probably the most important for me, the creators shocked me with the exteriors, which gave me the impression that the crew actually left for Pripyat and filmed theseries about the catastrophe there. The finale is very crucial as well; it shows what the Soviet regime was capable of doing to not only ordinary people but also intellectuals. After all of that, I am not at all surprised that Gorbachev said in the 1990s that Chernobyl was the fatal consequence of the fall of the Soviet Union. What they did there only underscores the whole effect of communism in Russia of the period, where the local “elite” thought they could do whatever they wanted and God in turn showed them that it wasn’t entirely true. Thankfully this didn’t mean the demise of all of us, it was “only” a warning concerning what we are doing wrong in the world. The fact that we are unable to learn our lessonis another matter. However, this is one of the reasons why the series is so important, which is why it is good to see, perceive, and experience it until the very end. The absolute best of this year’s series and in terms of the HBO production, it is the best that could have been created. Precise, accurate, and apt. (11/06/2019)

This is an event. The initial puzzlement has a quick half-life, as those disembodied moments eventually stand out more than the tangible pressure. It’s a screenwriting university on how to handle the "based on a true story" license while staying in observation mode. It’s a perfect study of human arrogance, lack of humility, and unwillingness to face the truth. A live broadcast of lies that has been coming to us for over thirty years. With all due respect to all the criticisms, the hype is well deserved. (05/06/2019)

Chernobyl is not a series, but rather a gripping five-hour film that pays tribute to everyone involved in preventing a potentially even bigger environmental disaster than the one that actually occurred. It fantastically examines the various stages after the explosion, enabling us to experience the human tragedy and the national disaster from multiple perspectives (from firefighters to President Gorbachev). The shooting of contaminated dogs. Miners and their leaders helping out. The gradually emerging understanding and respect between the main male characters (the scientist played by Harris and Skarsgård’s politician). Decomposing bodies of irradiated people in hospitals. The casting and acting of the KGB chief and his appalling attitude… This film contains so many strong story elements that it is practically unbelievable. It is also a chillingly accurate reflection of the shoddy, dishonest and unscrupulous political system on which the Soviet Union built its “glory”, only to later rot away from the inside. (29/07/2020)