Mission: Impossible - Dead Reckoning Part One

The echo of the 90s, sending postcards about villainous AI through a time machine, sometimes appears to have the upper hand over the audience, but do not be lulled by the admitted stupidity, because the running scout Cruise and McQuarrie send it uncompromisingly into the present. It's not about WHAT, but HOW. Seeing a film that layers action scenes with stunt attractions, as well as plot twists of "good guys vs. bad guys vs. (other) bad guys," is an absolute delight for the audience. If Fallout is an amusement park of action entertainment, Dead Reckoning is the top form of creative concentration. Venice may be an early peak, but the climax of the episode with the trains, when the appreciation of the second part of the game "Uncharted" is realized, ultimately closes it off as the peak of this year's popcorn entertainment and easily parks this part of the film series behind the unattainable Rogue Nation. (04/12/2023)

Hunt vs Hall 9000 round one. Basically a tie between the sheer technical brilliance and perfection of each action sequence with a dated and clunky script that is perhaps supposed to be a homage to the old (Roger Moore) Bond films or something. The golden rule is, stick to what you know and what you're good at, and Christopher McQuarrie overestimated himself this time and showed that he doesn't understand computers at all, otherwise he wouldn't have written such a piece of garbage. I'm not saying it doesn't work for the average person, it's just that for IT people it will be like scraping your fingernails on a blackboard in places. He can still salvage a few things in a sequel, but no one can take away his English-speaking Russian submariners and theatrical speeches about deleting oneself in cyberspace. He can still move and offer an interesting twist, but it's as if he's started to care about the Tom crap instead of the story. Otherwise, everything we're used to works. The actresses are fine. Hayley Atwell clicked with Cruise whether she's stuck on him in Rome or when they're talking on the train. Beautiful locations and beautiful shots. Tom is starting to look old though. One more episode and then it would be nice to kick off the Extreme Old Man series. (17/07/2023)

The best Brosnan movie of the 1990s inadvertently released in 2023. If I leave aside the slightly WTF technophobic foundation and the chaotic motivations and donkey bridges arising from it, this is a king-sized portion of superbly constructed and charismatic action in which the climax aboard a train is the dominant feature. This is probably what Nolan’s take on Bond would look like. That’s good enough for me. I'm looking forward to part two, aka The Hunt for Red October. (13/07/2023)

I don't really get the blockbusters this year, I admit that, but with Mission: Impossible I was sure it just had to work out. Well, it didn't. I had that fundamental problem from the very beginning. The story looks like out of movies that were made twenty years ago. The whole plot with the artificial intelligence that knows everything and can predict everything reminded me of Eagle Eyes in its better moments, and Next with Nicolas Cage in its worse ones. And as the main villain, he comes across as somewhat out of place and not the least bit scary, which unfortunately also applies to Esai Morales. The plot didn't grab me because it felt sort of old-fashioned. It's as if the script was written by someone who still has a push-button phone, has recently read something about artificial intelligence, and calls his grandchildren when Yahoo crashes, telling them that the internet is down... only there's more to it than that. Aside from crappy bad guys with zero charisma and questionable motivations, there are also the occasional oddly edited action sequences, which are often unnecessarily long on top of that. The chemistry between Tom Cruise and Hayley Atwell is virtually non-existent, and the film literally doesn't bother to work with emotion, stopping to let the characters and the audience enjoy and savour even the very major twists. After the bloated fifth and sixth episodes, Cruise and Christopher McQuarrie have simply served up some damn good Hollywood craftsmanship, but compared to the previous installments, it runs out of steam quite often and fails to offer any downright memorable scenes. But unfortunately, along with that comes a really stupid story, which leaves me a little afraid of what's to come in the grand finale. (10/07/2023)

The collaboration of the McQuarrie-Cruise duo is a well-established brand promising a modern take on old-school action in an edgy, thrilling and adrenaline-fuelled setting, and that is absolutely true this time as well. Many things could be praised, but the best way to describe it is that even though we've seen chases through ancient buildings in a small car or action in an out-of-control train countless times, the way it is paced, plotted and delivered here is both breathtaking and riveting in a way that will make you sweat your shirt off from the sheer dodging and clenching of fists. A genre film that defines (though does not redefine) the genre to the core. Too bad about the apparent lack of closure and the bland villain. Hats off and pure enthusiastic curiosity about where they want to take it in the finale. (08/07/2023)