The Wild Bunch

A bloody masterpiece with several powerful scenes. In my opinion, stealing the weapons from the train is slightly better than simply a destructive finale. The setting, shortly before the outbreak of the world war, gives it the necessary feeling of the end of the Wild West as we know it, and the beginning of a new era. (02/09/2019)

For everything that happened after the train robbery, I would be delighted to give Peckinpah’s most famous picture full marks and I would also gladly place the Wild Bunch on the pedestal of best westerns right behind Leone’s masterpieces. But I can’t, I just can’t. What prevents me doing so it the hour it takes to get going. It’s not bad, but it is so desperately ordinary and confusable with any other western (with the exception of the opening sequence, of course) that it’s hard to watch. (05/12/2009)

By western standards, a solidly brutal film whose final machine-gun massacre in Aqua Verde is one of the most memorable scenes in the history of cinema. Sam Peckinpah just likes violence, The Wild Bunch doesn't look shabby in that respect and has a very realistic edge to it. This is also true of many scenes in which the horses in particular must have had a lot of fun (I would single out the slow-motion shots rolling down a sand dune and falling from a mined bridge into a river, which take on an almost bizarrely aesthetic impression). The production design with its impressive period Mexican realism with dirty hirsute locals is downright incredible. Women have no place in Peckinpah's harsh world of rough men, they only play the minor role of cheerleaders or treacherous bitches. Last but not least, we must mention William Holden (Sunset Boulevard), his charismatic performance brought back memories of his heyday in the 1950s. (09/08/2006)

It's a good western, no doubt about it. It's incredibly bloody, incredibly action-packed, incredibly tough, but I simply found that Sergio Leone and his approach to the western suited me more. The Italian is more American, more emotional, and more Western than the Americans themselves. Here, it is very much influenced by the Mexican setting of a large part of the plot. But as I said, it's an excellent western, it just didn't resonate with me as much as "Once Upon a Time in the West." (13/07/2015)

Plenty of dead civilians as an inevitable part of a harsh life; men who only use the word "law" when it suits them; a woman as a symbol of a man's mere distraction... Sam Peckinpah had balls like no other director before or since, and the male superiority simply oozes out of his films. Yet it is a superiority that's honest, uncompromising, and harsh at the same time. This ensures that it can only be seen as an expression of an unmistakable creative genius, one that puts an almost mystical equivalence between the words violence and art and expands the film western to indescribable greatness. (11/02/2007)