The Pianist

Another film that shows us, unaware viewers, that Jews had it very hard during WWII… Downplaying this topic is the last thing I want to do, but I really don’t need to see the hundredth film about the one and the same thing. The shallow parade of suffering by secondary characters, who show up, die or cry, only to be completely forgotten later by the script, can’t arouse any emotions in me. What’s a lot more impressive, though, is the almost post-apocalyptic survival storyline later in the film (if the entire film had that sharpness and atmosphere, it would be great!), but the events that follow it are very hard to believe. It’s very clear to me why The Pianist has received mostly positive responses (an untouchable premise and emotional blackmail can do a lot), but other than the fantastic performances, I don’t see anything I haven’t already seen elsewhere, and better… (19/02/2009)

Weaker than peak Spielberg. More artistically routine, much less sophisticated visually, and more audience-friendly. Of course, it is colorful, meaning less art, but not that we should complain about it. The Pianist is an honest film full of emotions and heart-wrenching scenes, and the overall message of the project is equally impressive. But it certainly won't capture your heart as much as Schindler's List. (16/02/2014)

The duty of every respected Jew to show people how horrible the Holocaust was, using the resources at that person's disposal, led Maestro Polanski to come to terms with the past with The Pianist. And it does indeed fulfill the agreed assignment. Throughout the film, the Nazis are disgusting, stupid, narrow-minded pigs, while the Jewish community suffers and despairs unjustly. What we all know, and anyone who doesn't know it or denies it is an asshole. Meanwhile, the story of Władysław Szpilman unfolds (the similarity to Vladek Spiegelman from the Maus comics purely coincidental?), a brilliant pianist who finds it increasingly difficult to escape deportation. He is actually behind one of the few innovations compared to other war films, and that is the beautiful piano solos that the main character creates (and playing the piano without being able to touch the keys is definitely one of the most beautiful scenes in the film). Otherwise, the film does not bring anything new, which would perhaps not have mattered so much and I might have reached five stars if it were not for the fact that English is spoken in Poland and I can never get over these things. (12/05/2023)

When I saw Thomas Kretschmann's name in the credits, I thought he would play some classic Nazi pig, but I was pleasantly surprised. Roman Polanski made a film that doesn't stand out with brutality, the war was like that, but it stands out in how it can capture it incredibly rawly. In some scenes, you really have an unpleasant feeling, when you shudder at what people are capable of. And it doesn't matter if they were Germans or someone else later. Adrien Brody gave a great performance, story-wise it is a relatively classic story from that time. Many similar, but even crueler, stories were experienced. (04/04/2014)

It's easy to recognize on the Pianist that the film was directed by someone who personally experienced the horrors of war and the Holocaust. It is an exceptionally powerful and authentic testimony of the fate of Jews during World War II. Unlike Spielberg's celebrated Schindler's List, it is not calculated and polished, which is reflected in slightly lower ratings. Unlike Spielberg, Polanski chooses the form of a chamber drama of a single man, however, it is an exceptional, touching, and excellently acted film. Overall impression: 100%. (14/06/2006)