The Pianist

If Polanski hadn't indulged in almost autobiographical self-indulgence, it could have been a great film. But instead of focusing on the very strong story of the main character, the director inserted his own emotions and memories into his film, which don't have such power, although there was a lot of potential. Brody is scoring in astronomical numbers, but even that is not enough this time. (07/05/2006)

It's easy to recognize on the Pianist that the film was directed by someone who personally experienced the horrors of war and the Holocaust. It is an exceptionally powerful and authentic testimony of the fate of Jews during World War II. Unlike Spielberg's celebrated Schindler's List, it is not calculated and polished, which is reflected in slightly lower ratings. Unlike Spielberg, Polanski chooses the form of a chamber drama of a single man, however, it is an exceptional, touching, and excellently acted film. Overall impression: 100%. (14/06/2006)

Weaker than peak Spielberg. More artistically routine, much less sophisticated visually, and more audience-friendly. Of course, it is colorful, meaning less art, but not that we should complain about it. The Pianist is an honest film full of emotions and heart-wrenching scenes, and the overall message of the project is equally impressive. But it certainly won't capture your heart as much as Schindler's List. (16/02/2014)

The Pianist is Polanski's triumphant return to domestic cinema after 40 years. It’s a gripping story from Wladyslaw Szpilman’s autobiography. Adrien Brody in the lead role truly became Szpilman, creating his character as a flesh-and-blood man who must be put through all the atrocities of war. However, everything else in the film is up to par with Brody's performance - the production design is very realistic, the other actors also fit very well into the overall collage of images of the past and there is nothing that could spoil the unique portrait of a broken man born through the pain and injustice of war. (05/01/2012)

Another film that shows us, unaware viewers, that Jews had it very hard during WWII… Downplaying this topic is the last thing I want to do, but I really don’t need to see the hundredth film about the one and the same thing. The shallow parade of suffering by secondary characters, who show up, die or cry, only to be completely forgotten later by the script, can’t arouse any emotions in me. What’s a lot more impressive, though, is the almost post-apocalyptic survival storyline later in the film (if the entire film had that sharpness and atmosphere, it would be great!), but the events that follow it are very hard to believe. It’s very clear to me why The Pianist has received mostly positive responses (an untouchable premise and emotional blackmail can do a lot), but other than the fantastic performances, I don’t see anything I haven’t already seen elsewhere, and better… (19/02/2009)