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Winner of 6 Oscars, including Best Picture, and based on the hit Broadway musical, Chicago is a dazzling spectacle cheered by audiences and critics alike. At a time when crimes of passion result in celebrity headlines, nightclub sensation Velma Kelly (Catherine Zeta-Jones) and spotlight seeking Roxie Hart (Renée Zellweger) both find themselves sharing space on Chicago’s famed Murderess Row. They also share Billy Flynn (Richard Gere), the town’s slickest lawyer with a talent for turning notorious defendants into local legends. But in Chicago, there’s only room for one legend! (Paramount Home Entertainment)

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Reviews (9)

Stanislaus 

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English Chicago is a musical full of colour that paradoxically takes place within the dark walls of an American prison, home to sophisticated murderers but also great artists in the field of dance and singing. The most unforgettable scene was without a doubt the prison tango, it had momentum, excellent choreography and funny sequences around the murders of our lovely ladies. The trio of Renée Zellweger, Catherine Zeta-Jones and Richard Gere are brimming with acting, singing and dancing talent, which is quite a powerful combination. And the supporting actors like Queen Latifah, and John C. Reilly also impress. In short, a film that, while not perfect, is above average as a representative of its genre and definitely worthy of another viewing. ()

lamps 

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English Actually, it was only the Oscar triumph that lured me to this otherwise somewhat underrated musical, but I certainly don't regret it. And this is thanks to the pleasantly funny story, mostly from a prison setting, which does not spare black humour while irradiating good mood. And then mainly because of the actors and the choreographies performed by everyone involved. Catherine Zeta-Jones, Richard Gere and John C. Reilly give quite possibly the performances of their lives, and the confused cackle of Renée Zellweger, who apparently still hasn't driven Bridget out of her head, fits in perfectly. And if we also take into account Danny Elfman's music, the costumes and the sets, the Oscar it’s not so embarrassing... ()

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kaylin 

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English It was not an experience I would never forget, probably also because I simply know these songs here. However, they are not the absolute best. The best thing about it is undoubtedly the format, where cabaret scenes intertwine with the classical storylines. It is a celebration of cabaret and its beautiful cynicism, as well as the cynicism of people in general. Anyone can be a star, anyone can become a star. All it takes is good marketing. A musical that has an idea. Excellent. It's just a pity that I didn't see the film in a better mood. It must have looked great on stage. ()

Kaka 

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English Chicago one of those films that you might not necessarily dislike, let alone throw away, but doesn’t offer practically anything new or innovative, and you will probably to avoid a feeling of boredom during the screening. The captivatingly shot dance scenes in the cabarets do not make up for the rather dismal screenplay and main plot. The performances are excellent, and above all, the actors are the engine of the whole film, without whom it would suffer from the boredom syndrome even a little more than it should be healthy. ()

Detektiv-2 

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English I love movies set in "the olden days" and this movie is absolutely great and fascinating too! I found it really entertaining and the cast couldn’t have been better; the roles fitted each actor like a glove. And it was a pleasure to listen to the quality musical performances and the production design was a feast for the eyes. You just have to love Chicago; I haven’t ever seen a better musical on the silver screen. ()

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