Doctor Strange in the Multiverse of Madness

Of all the Marvel superheroes, Doctor Strange has the most potential for visually wild and appealing films. Filmmakers can get awfully crazy, and especially now that Strange is supposed to travel to other worlds and universes and where everything was once again based on magic, so the boundaries of normalcy were pushed a lot further than, say, in Black Widow. In that respect, there's nothing to fault in the Multiverse of Madness. Sam Raimi enjoyed his return to blockbusters and, unexpectedly, Kevin Feige allowed him to be his typical self. There are a few horror and scary moments, references to the visual style of the first Spider-Man and even Evil Dead, and it's nice to watch. The trouble is that there's not much interesting stuff going on. The story this time around is fairly banal, the characters uninteresting, and the whole time I felt like there was a missing minute here or there where it could slow down and go a bit more in-depth. I didn't get the sense that the universe was at stake or that Strange himself had to undergo some major transformation. It's simply a nice attraction, but it wraps up a not very interesting plot. It should have been better. (04/05/2022)

The cup of patience has run over. In fact, I actually hesitate even to call this a film. I don't understand why no one else complains about how horribly the characters are keyed to those fake backgrounds, that no one minds that the framerate makes, say, the lab scene look like something out of Code Blue. I haven't seen something where everyone cares so much about everything in a long time. It has no beginning, no end, the actors aren't entertaining, the fictional worlds have no stakes of their own, and it's bathed in cliché. And the script's a real doozy, too. Sam Raimi is in a great position in Hollywood where whatever crap he makes, all he has to do is put a skeleton in it and a zoom shot to get people to cheer at how he references himself. I think The Last Children of Aporver would have been a better movie as a result. (03/08/2022)

I found myself in a multiverse of madness as I watched Sam Raimi struggle to project his distinctive style, directorial and cinematographic flourishes, and slightly horrific and morbid touch on the big screen. At that point, it all disappeared into the abyss of screenwriting cluelessness and a largely meaningless and uninteresting story. Once again, Marvel is just playing it safe, with nothing to surprise the viewer. It has its tried-and-tested gimmicks in the form of a dozen useless cameo roles that deadlock the plot just to tease further spin-offs, which are already a total slap in the face. Plus, this year's Everything Everywhere All at Once definitely kicked this overpriced corporate product's ass when it comes to playing with multiverse. Sam, I hope you cashed a decent check for this, and now please go and make a low-budget horror movie that makes you and the audience happy. Please. (03/06/2022)

Somewhere in the multiverse, there's a better movie version of Doctor Strange. Marvel is fading and you can feel it. Spiderman was still a cool coda for the Avengers), but Black Widow and The Eternals are just mediocre concoctions in my opinion, and so far it doesn't look like it's going to get better in the future. In contrast hand DC with Suicide Squad 2 and The Batman are on a better path. Personally I wasn't too happy with the first Doctor Strange either and was hoping the second would grab me more due to the horror feel and multiverse madness. It's a hair better, but as a whole still not entirely satisfying. The performances are fine, Benedict Cumberbatch does his thing, Elizabeth Olsen is probably the best thing about the film, and the new character of America Chavez unfortunately didn't impress me much. Visually the film is without a doubt solid (although some of the CGI craziness was a bit not- so eye candy for me), the action again is not much but it is shot decently (the duel with the music was very original and imaginative, the Illuminati, the opening fight with the demon and the jump through different worlds was visually great). The humor is completely absent and the cameos seemed a bit unnecessary. In a few scenes you could even tell that Sam Raimi was directing the film (references to Evil Dead, the demon scene, a couple of jump-scares and one badass action sequence). Story-wise, the film doesn't have much to surprise, it lacks proper fatality and the MCU is not really moving anywhere unfortunately. Personally, I was hoping for more insanity in the multiverse, it's surprisingly not used that often and when it is it only gets interesting towards the end. I have nothing downright bad against the film, I enjoyed it, it goes by quickly, but I have no desire to watch it again. The trailer for Avatar 2, however, is amazing Story 3/5. Action 4/5, Humor 1/5, Violence 2/5, Fun 4/5 Music 3/5, Visuals 4/5, Atmosphere 3/5, Suspense 3/5, Emotion 2/5, Actors 4/5. 6/10. (05/05/2022)

With great power comes great responsibility and with almost unlimited power comes ... MADNESS! The new Doctor Strange could have been made in pretty much any way given the storylines in the recent MCU films and the central character's abilities, and I was curious to see how Sam Raimi, creator of Spider-Man as well as cult horror films, would handle it. The film is not lacking in some decent scares, imaginative scenes (a "musical fight" like in Scott Pilgrim) and creepy characters, yet Raimi could have easily pushed the envelope further, as some of the characters were dispatched out of frame in a grimly manner. The multiverse also certainly had more potential, on the other hand, the film fortunately didn't become an outright mess. The newcomer America was more rather bland, but I enjoyed more than one cameo, which the film was brimming with. The first end-credit scene brought another Oscar-winning actress into the MCU, though I wonder if it wasn’t a "one-off". It's not a pure four stars, but I was entertained in the cinema for the full two hours, and that's what counts. (08/05/2022)