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Stu Shepard (Colin Farrel) is an arrogant publicist lying his way to success in New York. Everything changes however when he unknowingly answers a call in a phone booth he's been using to cheat on his wife. Now he is at the mercy of the caller (Kiefer Sutherland) who, as an invisible sniper somewhere in the buildings above, is holding him hostage with demands to come clean with his wife (Radha Mitchell) and his girlfriend (Katie Holmes). Relying on his wits and the unlikely help of Capt. Ramey (Forest Whitaker) Stu's life will change even if he does manage to escape alive. This highly original suspense thriller from director Joel Schumacher is filled with action and unbelievable moments when all of New York comes to a standstill for one harrowing conclusion. (20th Century Fox Home Entertainment)

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Reviews (11)

kaylin 

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English "Telephone booth" is still effective even after years, although it may seem that the booth itself is a relic that can only be found in a museum nowadays. It beautifully demonstrates how times evolve. However, it doesn't really matter because even in another 13 years, this will be an immensely powerful and claustrophobic drama, which will still have the same positive effect on the viewer. Joel Schumacher truly excelled in this. ()

Kaka 

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English Joel Schumacher is truly a unique person, he can make crap like Batman & Robin, but he can also make gems like Falling Down or 8mm. This project, Phone Booth, is considered the pinnacle of his filmography because it has everything a film in this genre should have: a great main hero, a devilish villain, captivating atmosphere, excellent camera work, and solid music. That's why it is one of the best thrillers of the year. ()

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Marigold 

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English Yeah, when the phone rings in the booth nearby again, I can't even imagine going to pick it up... or can I? Joel Schumacher's film meets all the criteria of an "intelligent" thriller. Minimalist design, great acting (especially the rebirth of narcissist Farella is a delicacy!), interesting work with images (the twisting of shots increases the tension and gradient), decent music and especially a solidly written screenplay which, with a minimum of resources, escalates the absurdity and horror of the situation in which the hostage of the voice on the phone finds himself. I could probably do without tacky and theatrical ending. All in all, it's not a movie that I get overly excited about, but I certainly recommend watching it on movie night for sure... ()

novoten 

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English How much does each of us hide? How much do we pretend in front of others and what will we do when we are exposed? What if his threats are not empty and the revealed secret won't be the end of it? How quickly are we able to reassess our highest priorities when it comes to life, not just for ourselves, but also for those closest to us? Maybe I shouldn't have taken that pizza after all... Colin Farrell's perfect performance and the brilliant voice acting of the sniper in a film, which at the time had absolutely no competition. Even many subsequent screenings cannot change the fact that Schumacher and Cohen then surpassed themselves forever. ()

Isherwood 

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English Even after watching this film twenty times, it's still an inventive, clever, and suspenseful thriller where Joel Schumacher, constrained by budget and shooting days, lets the entire weight of the plot be carried by the polished dialogue of the Farrell-Sutherland pair. For this, the biggest thanks go to Larry Cohen, who did have some mistakes and logical question marks in the script, but the witty social criticism together with the escalation of the plot reliably carries the film for the entire 70-minute runtime. ()

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