Directed by:
Joel SchumacherScreenplay:
Larry CohenCinematography:
Matthew LibatiqueComposer:
Harry Gregson-WilliamsCast:
Colin Farrell, Kiefer Sutherland, Forest Whitaker, Radha Mitchell, Katie Holmes, Paula Jai Parker, Tia Texada, John Enos III, Richard T. Jones, Keith Nobbs (more)VOD (5)
Plots(1)
Stu Shepard (Colin Farrel) is an arrogant publicist lying his way to success in New York. Everything changes however when he unknowingly answers a call in a phone booth he's been using to cheat on his wife. Now he is at the mercy of the caller (Kiefer Sutherland) who, as an invisible sniper somewhere in the buildings above, is holding him hostage with demands to come clean with his wife (Radha Mitchell) and his girlfriend (Katie Holmes). Relying on his wits and the unlikely help of Capt. Ramey (Forest Whitaker) Stu's life will change even if he does manage to escape alive. This highly original suspense thriller from director Joel Schumacher is filled with action and unbelievable moments when all of New York comes to a standstill for one harrowing conclusion. (20th Century Fox Home Entertainment)
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Reviews (11)
Joel Schumacher is truly a unique person, he can make crap like Batman & Robin, but he can also make gems like Falling Down or 8mm. This project, Phone Booth, is considered the pinnacle of his filmography because it has everything a film in this genre should have: a great main hero, a devilish villain, captivating atmosphere, excellent camera work, and solid music. That's why it is one of the best thrillers of the year.
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By the end of the film, the script didn't seem to know which way to go, so all of a sudden something happened that could have happened at any time, and it was so rushed and just weird that it kind of ruined Phone Booth for me. However, the previous hour was good and I certainly wouldn't want my bad conscience to have the voice of a giggling Kiefer Sutherland.
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An amazing thriller that bowled me over. The concert of acting by Colin Farrell and the chilling voice of Kiefer Sutherland glued my eyes to the screen from the start and taught me some... um, lessons. For instance, since then I don’t like telling lies and I’ve stopped calling from phone booths. You can never be too careful.
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Yeah, when the phone rings in the booth nearby again, I can't even imagine going to pick it up... or can I? Joel Schumacher's film meets all the criteria of an "intelligent" thriller. Minimalist design, great acting (especially the rebirth of narcissist Farella is a delicacy!), interesting work with images (the twisting of shots increases the tension and gradient), decent music and especially a solidly written screenplay which, with a minimum of resources, escalates the absurdity and horror of the situation in which the hostage of the voice on the phone finds himself. I could probably do without tacky and theatrical ending. All in all, it's not a movie that I get overly excited about, but I certainly recommend watching it on movie night for sure...
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I’m grateful to Telecom/Télefonica O2 for getting rid of the telephone boxes from my neighborhood. I’m such a dummy that I also might pick up a forlorn call. Just that I’m in no way such a hot shot like Farrell. I’d be a darn piece of cake for “that guy". And for this movie is a piece of cake too because everything works as it should and practically all came out unprecedentedly well. Especially the atmosphere. Something that would be hard to find in a regular Prague phone booth.
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