Apt Pupil

I haven't read the book by Stephen King, but I'm seriously considering it after that near-perfect two hours. An impressively made psychological thriller about a twisted fascination with the Third Reich that eventually escalates into a real crime. The atmosphere is really thick in places (the shower scene) and that Jan Tříska – he's just a cherry on top. 4.5 stars (12/07/2009)

Film paradoxically liked me more than the original because it simplified the storyline and didn't "push so hard", so both anti-heroes are far more civilized and natural in their perversity. Ian McKellen brilliantly plays his fascist veteran character and Brad Renfro is a seriously talented student... The film follows a modest line, (almost) without affected scenes, the mutual probing of both opponents and accomplices is at the same time a gentle psychological game that culminates in the final scene of complete transformation. Overall impression 90%. (07/05/2007)

Master Waltz by Bryan Singer and Ian McKellen. All you have to do is admire how the director magician manages to step over the abyss that traditionally divides attractiveness and depth in Hollywood. Singer's language is intelligible, yet full of emotion and atmosphere. Everything works civilly, precisely, expressively. The drama of the individual scenes is perfectly constructed, the constant overflow of "teacher x student" tasks keeps the intensity of the film at a high level and the drastic dream scenes only increase it. There is no doubt that there are more impressive portraits of evil in man, but Apt Pupil is rare in that it retains the attributes of a good American spectacle without undermining or being nice to Singer's homeland (the final composition of a newborn monster with an American flag in the second plan is almost provocative). Great credit again goes to the phenomenal Ian McKellen, behind whose mask of a kind old man resides incredible brutality... however, the English virtuoso is able to play even this role in such a way that Kurt Dussander does not seem monochromatic and schematic. Compared to the brilliant performance of the old master, the young pupil Brad Renfro still gives off a significantly weaker impression, but he also shows a considerable amount of skill and talent. Apt Pupil is an excellent film where everything fits the way it should. What I leave out in my rating, I add as a message: It is not history and ideology that are responsible for the evil in man. It is man himself. (03/07/2006)

I didn't believe it, the psychological foundation of the characters was not strong enough in the context of their development, as well as in the construction and flow of the story. I didn't believe Ian McKellen as a war criminal (even though his march was impressive), I didn't believe Brad Renfro's transformation from a top student to a twisted and vulgar teenager, and the initially suggestive and captivating narration about the gas chambers didn't affect me significantly. Bryan Singer doesn't know how to work with emotions, that's a fact that bothers me in his films, and I don't remember any of his creations enriching me in this regard. Maybe I'm mistaken and I'm just not tuned into his wavelength. Very interesting material, a shocking scene with a veteran in the hospital, and that's about it. (10/02/2007)

Singer is the devil! Sensitive themes (homosexuality, neo/Nazism) seem believable and natural when presented by him, meaning that there are no cheap poses of wannabe profound commentary on the subject matter, but rather an absolutely brilliantly crafted story that grabs you and only lets you go when the closing credits roll. Formally, it's incredibly sophisticated (for example, the staircase to the basement of Dussender's house with its red backlighting looks like a descent into hell) and the acting is riveting. Brad Renfro as the inquisitive teenager is great, but Ian McKellen is a demon who is unmatched far and wide. It all culminates in a great ending that will emotionally wring you to the last drop... and you don't even have to cry during it. (24/11/2006)