Indiana Jones and the Last Crusade

Lucas' and Spielberg's apology for the dark pulp flick Temple of Doom, which paradoxically with its "white savior" concept was most in line with the original idea of conceiving Indiana Jones as the cliffhanger adventure short familiar in the 20s and 30s. As vocal as there were voices that adding another dimension to the central character by pinning his impractical father on him would rob Indiana of some of the mystery that surrounds him, on the contrary, the move was helped in particular by a noticeably aged original cast, the new wrinkles and tired eyes simply added a human dimension to the adventurers, not to mention the fact that after the second installment you quite welcome the fact that the sidekick is not a loose young girl lusting after Jones's sweaty, sweaty body between screams. Otherwise, again, the dozens of different sub-quests, the world locations we get to see, the tangibility and light-heartedness of the action, the beautiful framing, and the relentless torture of the crew in their quest to film the never-before-seen, it's still such a beautiful and forgotten cinematic discipline that I'm defining a special way of sitting on the couch that's just for this trilogy. The fourth installment never existed, you may even remember seeing it, but no, it was just a bad dream. This way it’s just fine. (02/06/2019)

When something is done for the third time, usually you already know how to do it, and even though the previous two installments of the series were not bad in any way, the third Indiana Jones represents the real peak of this mini-series and in a way also one of the peaks of its genre, which is adventure film. It doesn't take itself seriously, and that is extremely important, while also having a sufficiently high budget and an inventive screenplay that doesn't let the viewer breathe for a moment, with a great cast led by experienced Ford and Sean Connery. The two of them complement each other perfectly, resulting in a fascinating spectacle. The scene of the tank battle or the rescue in the underground labyrinth will stay in the viewer's memory for a long time. Another excellent music. Overall impression: 100%. (14/06/2006)

My favorite Indy... WHY? Because it contains several absolutely classic action scenes, several excellent gags and, above all, Jones Sr. performed by Sean Connery. The Connery-Ford chemistry works in an absolutely fantastic way, as if they both really had a family bond. Of all their scenes, my favorite is the one on the rock after the tank fell into the abyss. Everything essential is in it – humor, tension, feeling. The story may be a little weaker than in the first film, but it has a similarly magnetizing atmosphere and depth that is so lacking in Temple of Doom. And Spielberg's ingenuity in the action scenes has no limits... The others have no choice but to copy and copy. If you say “adventure film", then I hear the whip crack, and out of the corner of my eye I see a character in a hat. Top class, Dr. Jones! (19/04/2004)

Music has Mozart, painting has Da Vinci, football has Pelé, porn has Johnny Sins and film has Steven Spielberg. The Last Crusade is quite possibly the funniest, most balanced and most beautifully told big screen movie ever made in Hollywood. A thrilling ride through bombastic locations, peppered with smart wit, surprising action and such likeable clowns that James Cameron can go fuck himself. Dramatically better and more playful than the already amazing first part. A pleasure factory... 100% (30/04/2011)

An incredible movie that definitively moved the series into the waters of immortality. The biggest credit for that goes to the light-hearted script and the perfect chemistry between Ford and the dry-witted Connery. Every scene between this duo comes together flawlessly, leading up to the final departure into the setting sun. (30/04/2006)