Jurassic Park

I will never forget the roughly 300 m long queue (no exaggeration) for tickets in České Budějovice that stretched from the cinema along the main avenue. Nor will I forget the pictures of dinosaurs from the bulletin specially printed for the viewers of Spielberg's juggernaut, which further piqued curiosity and increased the desire to see this "technical marvel". In a way, it was a social event and everyone wanted to be there. There’s certainly one thing that cannot be denied about Jurassic Park, about which the legendary puppet animatronics director Stan Winston affectionately said that it "put him out of a job", and an unmissable entry into the history of cinema. It wasn’t the first film to feature a CGI character (the primacy is held by the animated window mosaic of the knight from Levinson's Young Sherlock Holmes), but it was the first to dare to depict the movements of a living being in a completely realistic way, and it succeeded beyond measure. But when you scrape away the skin of groundbreaking visual effects and the initial amazement, what remains in my eyes is a completely mediocre adventure story that, unlike other Spielberg cachet like E.T. or Indiana Jones, which never get old, doesn't entertain with such ease. I felt disappointment even at the time of the premiere, compounded by high expectations and a terribly muddled dubbing. Unfortunately, Jurassic Park didn't become my favourite and that hasn't changed even with repeated viewings after many years. (23/10/2007)

The older I get, the more Jurassic Park matures from an adventurous attraction for the whole family into an honorable classic that may never age. The first brachiosaurus, the first T-Rex roar, the first electric shock. And the first film where I can't say a word about the tricks when looking at the dinosaurs. The fact that this relentless ride comes from Steven Spielberg's workshop is a point in itself. (28/11/2011)

After nearly a quarter of a century since I last saw Jurassic Park on video, I am all the more amazed at how terribly well the film works even when nostalgia is taken out of the equation, especially on the big screen with 250 other people enthusiastically reacting to it. Spielberg crafted a sophisticated yet minimally ostentatious meta-film by approaching the narrative about an amusement park as the blockbuster movie equivalent of an amusement park – from the initial promise and fascination through disappointment and cringe to the genuine wonder and physically intense roller coaster. He takes us not only to the marked visitor paths and souvenir shop, but also to the technical facilities and inside the enclosures, where a pure yet dangerous adventure awaits. He takes a similarly self-reflective approach to special effects and the revolution then underway during the production of this film, when computer-generated images were displacing animatronic puppets and optical trickery (but without the necessity of throwing his ingenuity in people’s faces as something that they should notice and appreciate). Because of that, the first Jurassic Park also has a perfect dramaturgical structure that carefully shapes viewers’ expectations and lays the groundwork for individual money shots, whose brilliance consists primarily in their framing by means of the surrounding shots, thanks to which (not only in comparison with today’s usage) the film manages to get by with a surprisingly modest number of computer-generated/enhanced shots. (15/04/2023)

This is one of the movie milestones of my childhood. This gave me the initial impulse (as a kid) to start looking at movies in greater detail. Spielberg’s adaptation of Crichton’s novel “Jurassic Park" appeared from out of the blue at a time when dinosaurs were my whole life. Back then this was in short "mind-blending" for me ;) . First the digital effects and second the excellent directing and great acting performances make Jurassic Park a breathtaking watch, even thirteen years later. Mainly Sam Neill put on a perfect performance. Then of course the Tyrannosaurus and not to forget Sam Jackson and his “Mr Arnold". And there’s one more name to mention. John Williams. (16/07/2006)

“Life, uh... finds a way”. I've loved dinosaurs and everything related to them since I was a kid – from encyclopedias, to museums, to feature films and documentaries – and Spielberg's Jurassic Park is at the top of the list for me in terms of feature films about these prehistoric lizards. I've seen it several times now, and even though it's been a whopping thirty years since its premiere, it still manages to mesmerise me to the hilt. The film breathtakingly manages to breathe life into the long-extinct creatures that once dominated the land, sea and airspace, bringing them closer to the audience in a supremely authentic way. In addition to the stunning work with animatronics and the incredible visual effects, the makers "spared no expense" on the sounds of the dinosaurs, which feel truly believable (even if it is essentially a reconstruction). The scenes with the escape from the T-Rex and from the kitchen with the velociraptors still take my breath away. But Jurassic Park wouldn't be what it is if it weren't for the casting, with Jeff Goldblum and the young Joseph Mazzello entertaining me the most. Last but not least, I can't forget the wonderful musical score by John Williams, which wraps-up the unique audiovisual experience that Jurassic Park was, is, and will be - "We spared no expense." (03/04/2023)