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The sequel to the 1993 blockbuster, Jurassic Park. Jeff Goldblum reprises his role as the unconventional mathematician Dr Ian Malcolm. It's been four years since the secret disaster at John Hammond's Jurassic Park On InGen's second Costa Rican island, the dinosaur manufacturing and cloning facility code named Site B has been destroyed by a hurricane. Now Malcom finds himself with the terrifying realisation that not only has something survived but the animals now live and breed in the wild. (Universal Pictures UK)

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3DD!3 

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English In terms of special effects, The Lost World is much more sophisticated than the first Jurassic Park. Spielberg took advantage of all available technology to be able to film a spectacular sequel to the more than excellent part one. You can see that he embarked on this project not to create a copy of the first Park, but something completely different, something new. And he did a good job. An new island, more species (as a dinosaur lover I was overjoyed), a different team (just Ian Malcolm played by Jeff Goldblum remained from the original movie). Although he has changed a lot since the events of part one, but his lines are just as snappy. I have three favorites :). One: “The Heisenberg Uncertainty Principle." Two: “It’s so important to your future that you do not finish that sentence." Three: "Taking dinosaurs off this island is the worst idea in the long, sad history of bad ideas." I just loved that when I was little. Despite all of its good points and lots of excellent scenes (hunting dinosaurs, the scene in the bus, the Tyrannosaurus attack on the camp, the Velociraptors, the finale in San Diego), The Lost World wasn’t as well-received as you might expect. Not that it didn’t pay for itself, but neither the public or the critics were satisfied. What mattered to me was how the finale was somehow disjointed from the rest of the movie - the move from the island to the city was too fast. Nonetheless, The Lost World: Jurassic Park is certainly worth watching. ()

DaViD´82 

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English Spielberg does what he can, but even that is too little for the dumbness of the screenplay. The main thing here is a herd of dinosaurs made of ones and zeros. It’s almost as if this picture has nothing else to offer; and, in fact, that’s true. Apart from three memorable scenes and a herd of unlikeable characters whose slow and painful death is your heart’s desire. Which is a bit too little when compared to episode one. And while the part on the island is at least of watchable quality, the pastiche wannabe Godzilla sequence is unbearable; even in spite of the elephant dose of tongue in cheek. ()

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kaylin 

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English In "Jurassic Park," there are things that bother me, but I overlook them because the film is visually stunning. In "The Lost World," there are so many mistakes, plot holes, logical absurdities, and scenes just for the sake of effects that they cannot be overlooked anymore. It's a bad story with a crazy ending that should be cut out entirely. The film should be an hour and a half, end on the island, and that would be enough. This wannabe King Kong ending is a flop. ()

POMO 

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English It’s necessary to taken into account that Steven Spielberg didn’t want to repeat the first Jurassic Park, but instead wanted to film a signficantly darker subject from Arthur Conan Doyle. The sequel’s 130-minute runtime is densely packed with action and adventure, and serves up a Whopper in the last quarter. And the scene with the truck over the chasm takes my breath away every time. With its technically perfect execution and humor, The Lost World is Hollywood entertainment that won’t insult your intelligence. ()

Othello 

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English A blockbuster attraction, where digital effects were meant to play the main role, a breathtaking one at that. However, it was films like this one or Emmerich's Godzilla that made some people squirm and wonder if filmmaking might not also be about adapting to some limits. With them, the crew has to work with some pacing, shooting angles, editing; in short, things that are supposed to convince the viewer that the man in the piece of rubber is supposed to arouse some kind of experience in them. With CGI that can depict everything, you just, uh... depict everything. A tyrannosaurus eats a car on a street full of people? Here you go. A tanker has to drive full speed into a harbor? Here you go, head-on frontal view. Schwarzenegger playing King Lear? No problem. All straight-faced, no hiding, and you kind of watch it and wonder if they were truly serious when they made Jeff Goldblum the main character and gave him a daughter whose only active role in the film is to swing from a pole. ()

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