Raiders of the Lost Ark

I didn't get to the first Indy adventure until 42 long years after the film's premiere, and my average rating is based on that. I didn't grow up on Spielberg's film, nor do I have a nostalgic attachment to it, and now that I've seen it for the very first time, I have to say that the ravages of time are quite visible. It's most noticeable in the special effects scenes, which is understandable given the year it was made, but the same can't be said for the action and fight scenes, which look laughable (in the negative sense) to the point of being artificial. The scene with the snake's lair or the final confrontation with the Ark of the Covenant had a solid atmosphere, I don't deny that, but for most of the film I felt like I was watching some kind of still undeveloped Indiana Jones prototype. (01/07/2023)

If you're seeing the movie for the 100th time, you can peel off any piece you want and still enjoy it. Last time we watched the movie we watched it through the lens of when is the last time Indiana washes up throughout the entire movie. If we assume he showers at Omar's after he's learned the length of the cane from the old man, the last time we see him smelling good (apart from the Washington epilogue) is when he and Omar infiltrate the Nazi camp in disguise. We can't blame him, of course, for not showering in that camp, or during the all-night dig, the subsequent escape from the closed crypt, the battle at the airplane, or the subsequent car chase (so far a pretty intense 2 days), but the fact that he says the hell with it even in the safety of a friendly pirate ship and then just takes a sporadic sea bath while chasing a submarine only to continue chasing Nazis to the center of the island gives the film a whole new reading. The most nerve-wracking scene in it is the one where Indy climbs into the white linen bed in his disgusting sweaty shirt, and Marion's silent agony at the final ritual is definitely grounded in who she has to be chained to the same bedpost with. Yuck. Well, as the popular rapper Tyler Durden says, "I wonder what we're gonna learn tomorrow." (30/08/2021)

Raiders of the Lost Ark was and will probably remain the best adventure movie. No wonder, when two of the most ingenious and most talented filmmakers of their era, Steven Spielberg and George Lucas, stood behind its inception. They created the character of Indiana Jones, a slightly unorthodox archeologist who went down in history in a short time. First we meet him in 1936 when he is commissioned by the US to find the mythical Ark of the Covenant which Adolf Hitler, obsessed by the occult, is desperate to acquire. The first part of the Jones Trilogy is without doubt the best. The mystical powers of the Ark, along with the enrapturing music by Williams manages to evoke fear of the unknown even now after so many years. The ending in the warehouse has an indescribable atmosphere that makes your hair stand on end. (02/12/2006)

The two scenes that I consider essential for appreciating Raiders of the Lost Ark (though there are a number of others) are the sequences with the airplane and the submarine. The former is a masterclass in constructing action in space and narrative in the sense of layering information and details that will then be utilised for dramatic effect and causal scene development. In addition, this sequence also demonstrates Harrison Ford’s strengths as an actor, or rather how he is able to sell his charisma while concurrently enhancing the comic essence of the scene with his facial expressions and body language. I find the submarine sequence essential for understanding the entire Indiana Jones franchise and its self-conscious work with trash. It divides viewers into two camps. One will nonsensically debate how Indy could have gotten to the island with the submarine. The other camp will enjoy the genius of the editing ellipsis consisting in the fact that it doesn’t answer the question at all, because it simply doesn’t have to. Then, after a few episodes, the first group of viewers will disparage the refrigerator scene and the presence of aliens (even if they’re not bothered by the Biblical supernaturalism of the first and third instalments), while the opposite camp will appreciate them as further manifestations of how the filmmakers honour the saga’s roots in trashy film franchises and their straightforward logic and low-brow elements. (14/07/2022)

Anyone who doesn't take this brilliant ride through the history of adventure and stylistic tropes as an absolute gem is ripe for a psychiatrist. Spielberg and Lucas created a new form of entertainment that, with any luck, won't get old even after 1000 years. An example of a fully effective application of outdated genres and references to a dominant and entertaining filmmaking style, a playful and engaging combination of myth with real thematic background. Excellent music and camera, an awesome Harrison Ford and very possibility the most iconic character in cinema history, and so on, and so on… (31/01/2022)