Triangle of Sadness

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In Ruben Östlund’s wickedly funny Palme d’Or winner, social hierarchy is turned upside down, revealing the tawdry relationship between power and beauty. Celebrity model couple, Carl (Harris Dickinson) and Yaya (Charlbi Dean), are invited on a luxury cruise for the uber-rich, helmed by an unhinged boat captain (Woody Harrelson). What first appeared instagrammable ends catastrophically, leaving the survivors stranded on a desert island and fighting for survival. (Lionsgate UK)

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POMO 

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English “The only place socialism works is hell – and they don't need it there.” Triangle of Sadness is a satirical ode to the inevitable inequality in society. Balance is utopia. In terms of entertainment value, this dinner tasting from The Square colossally developed into a concert of absurdity on a luxury yacht trumps anything we have seen in the comedy genre in recent years. And it’s not even a comedy genre film. I also enjoyed the hard shocks of the panning camera. When you have something to say, you can repeatedly remind yourself that form is only a means of saying it. Just as all of the whimsical glamour propriety of the passengers on this grand voyage is unnecessary... I’m not giving the film a fifth star because the last, “island” third of the film falls short of the “boat” part in terms of both humor and the effectiveness of capping off the scenes. But the ending is excellent! ()

J*A*S*M 

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English For me, on level with Parasite, and hands down the best film of this year’s KVIFF and quite likely one of the best films of the year. Sound social criticism with a stimulating, original script and wrapped in a very audience-friendly and entertaining package. Bursts of laughter assured, as well as amused disgust in the brilliantly staged captain's dinner scene, and a nicely ambiguous ending. (56th KVIFF) ()

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MrHlad 

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English Ruben Östlund delivers a wry satire about contemporary society and people who are not prepared to lose their social status. But it is not intellectual onanism, it is an extremely entertaining and witty comedy that doesn’t take anything sacred, and apart from the great cast, original ideas and clever dialogues, it offers at least one scene that will go down in film history for its absurdity and escalation. One of the best films of the year. ()

Goldbeater 

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English Ruben Östlund delivers an excellent social satire in an endlessly entertaining and sometimes blisteringly funny form that seems to combine three films at once. The centrepiece of this distinctive work is, of course, the quite literal shitstorm in the middle of the plot, which almost seems to have dropped out of a Troma production and then floated out into the international waters of A-list cinema. It won't be a film for everyone, yet it is clearly the most significant highlight of this year's festival in Karlovy Vary and without a doubt one of the greatest film events of the year. When it gets a domestic theatrical release, put it in your calendar! [KVIFF 2022] ()

gudaulin 

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English I understand that in a time when comic book adaptations and epic fantasy dominate the film landscape, Triangle of Sadness represents a sympathetic civilian deviation for a more adult audience. On the other hand, it is not an exceptional piece, let alone film of the year. After a promising start, where Östlund takes shots at the superficial world of modeling (I know, it's an easy target, but the hits are accurate), with each subsequent chapter it becomes increasingly annoyingly didactic. Not to mention that the middle part on the boat with the puking scene is somewhat funny, but it is also somewhat cheap humor that could also appear in undemanding Italian comedies from the 70s. I have higher expectations for satire. In my opinion, the casting is also problematic. Woody Harrelson functions as expected, Harris Dickinson delivers, and Vicki Berlin in the smaller role of the chief stewardess is interesting. Unfortunately, that exhausts my positive feelings about the ensemble. With all due respect to the prematurely deceased Charlbi Dean, she was merely a model cast in a film role, and I can think of a dozen actresses who, besides a glamorous face, could deliver acting performances two or three levels better. Dolly De Leon in her variation of the Rat King completely missed the mark, and Henrik Dorsin is forgettable. I will give it a weak four-star rating, but there is something missing here. The TV series The White Lotus was able to tell a similar story with considerably better results, and it's not just because of the larger space that a series offers. Overall impression: 70%. ()

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