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Writer-director Quentin Tarantino's kick-ass tribute to hard crime capers is also a pop culture phenomenon that redefined cinema. Spanning interweaving tales of low rent hit men (John Travolta and Samuel L. Jackson), a gangster's wife (Uma Thurman), and a desperate prizefighter (Bruce Willis), with a stellar supporting cast that includes Harvey Keitel, Tim Roth, Amanda Plummer, Ving Rhames, and Christopher Walken, it's a wildly entertaining and exhilarating adventure with violence and redemption. (Paramount Home Entertainment)

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Detektiv-2 

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English This movie was mind-boggling. I really don’t know what to make of it. The most accurate words to describe my emotions about the movie are "a boring watch". I’m sorry, but I really don’t know why everybody enthuses so much about this. About this really regular but overrated movie. The movie stands on rather uninspiring stories with a touch of brutality and a couple of gritty (and sometimes cringe-worthy) one-liners. I was unable to find any magic in this movie, and I doubt there is any. A massive disappointment and purely objective score of a mediocre 3*. ()

wooozie 

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English I can't figure out why, but other great movies can be characterized by words such as brilliant, perfect or fantastic. But when you say the word CULT, only two things come to my mind: Star Wars, and most importantly Pulp Fiction. A cult movie which has everything: cult scenes, lines, characters, the whole package. Plus, it was made by the most original director in Hollywood. ()

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novoten 

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English Untouchable aura that surprisingly hurts. Although Travolta is irresistible and Willis flawless, the glory of the most cultish cult negatively got under my skin to the extent that I probably won't be able to enjoy Pulp Fiction without some biases. Weaker four stars and the necessity of another screening. ()

lamps 

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English The magic of Pulp Fiction doesn't fully hit you until you've watched it for the tenth or eleventh time and realise that you still can't get enough; whether it's the incredibly witty dialogue, the framed narrative, the performances, the pop culture nods, or simply the execution of each scene with a perfect sense of visual punctuation and musical underscoring. One iconic shot after another, the camera breaks down the space with the ingenuity of Thomas Edison, the absurd game with the motif of "twisted" coincidence is turned into an amazingly coherent experience and it makes you wish it lasted twenty or forty minutes longer. While from the most from the holy year 1994 I prefer the humane Shawshank, the clear winner in the field of cinephile delight is this Tarantino treasure. ()

Lima 

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English I first saw it in the cinema at the Czech premiere, when nobody had heard of Pulp Fiction and the name Tarantino was unknown. My friend and I walked out of the cinema and I was overjoyed to have seen something original again after a long time. My friend looked puzzled and told me he had to let it soak in overnight, he didn't know what to do. The next morning he came running to my room (in the college dorm) and excitedly announced: "Dude, it's been going through my head. It was awesome!” He ran to everyone he knew and recommended it to them and went back every day for the rest of the week with an ever growing crowd of curious people. They wrote lines from the film on pieces of paper and taped them to their walls – maybe that’s also how a cult classic is born. I really don’t know why I’m writing this, but Pulp Fiction is in my TOP 10 and I felt an almost moral obligation to say something without being repetitive. This film is like a refreshing spring in the middle of a desert of uniformity and deserves only words of praise. ()

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