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City Of God tells a powerful true story of crime and redemption. The streets of the world's most notorious slum, Rio de Janeiro's "City of God," are a place where combat photographers fear to tread, police rarely go and residents are lucky if they live to the age of 20. In the midst of the oppressive crime and violence, a frail and scared young boy will grow up to discover that he can view the harsh realities of his surroundings differently - with the eye of an artist. In the face of impossible odds, his brave ambition to become a professional photographer becomes a window into his world and ultimately his way out. (Paramount Home Entertainment)

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Reviews (8)

Lima 

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English It chills one to the bone. It chills me to see how young children are quite easily seduced into the path of crime by watching their "role models" – teenage murderers. A little boy can kill with complete calmness and even with a kind of joy, a bunch of tiny, faceless brats raid shops with a gun in their hands as if they were going to play football. City of God is an unsentimental look at life in the slums, where, due to the difficult social situation and lack of education, crime and drugs are a common part of the landscape and where gang affiliation is more than the law. It does not lecture, it does not provide instructions for solving the problem, it just impressively shows the harsh reality that is unfortunately not only inherent to Brazilian metropolises. It’s a technically skilled (top-notch cinematography and editing) cheerless spectacle, in which you don’t, of course, get a redemptive catharsis, a positive outcome. And the final caption “Based on a true story” says it all. PS: In the closing credits, there is a short scene with the real life version of one of the film's characters, Knockout Ned, saying exactly the same words that are heard in the film. ()

J*A*S*M 

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English Well, I don’t think City of God is only an average film, as my rating may indicate, but I simply can’t grant four or five stars to something that never managed to make me interested in how it will end. The editing is very nice, and so are the performances and the direction, but what can I do with that when I didn’t care at all about the story itself? ()

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Kaka 

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English An exceptional masterpiece that may only receive true recognition after several years. The Brazilian nature of this film can literally be felt in every second. The filmmakers break away from the typical clichéd story and give us a gritty, realistic experience, where we see the harsh life in the roughest neighbourhoods of Rio de Janeiro. The formal aspect is flawless, with fantastic handheld camera, brilliant editing, and sound. The actors (unknown to me) give wonderful performances and the direction is even better. ()

kaylin 

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English The film attacks the viewer with its rawness, with everything presented incredibly realistically, creating an almost documentary-like impression. This is Rio de Janeiro, this is the city where death can come just because someone has too much power. A tough drama that heavily relies on the fact that such slums in Brazil are likely real. Sometimes you feel like it really is. The scenes with children are truly intense. It is difficult to get into the story because the intensity with which the film affects you will probably shock you and take your breath away. It is quite challenging to identify with the characters. ()

lamps 

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English Now. that's what I call proper craftsmanship! The directors literally jumped in headfirst to present a true hell on earth in the most cruel, uncompromising, and "unfortunately" the most realistic point of view. What's more, they didn’t need stars or pools of blood. No, what makes this film so compelling is the shocking fact that this is how life is really lived, and an amazing portrayal of characters as they try to deal with the events around them in the only way possible, with a gun always at hand. Such a film could be interesting even without a plot, but City of God has a very good one, with plenty of action and keeps a very high pace throughout. After the closing credits, I was simply amazed and captivated by the quality and power of the story, which made me even more grateful that I was born here in Czechia, where kids don't get a shotgun or a membership in a killer gang for their tenth birthday. ()

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