28 Days Later

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When a group of chimpanzees freed from a research facility goes on a ravenous rampage, the virulent disease they carry quickly becomes a horrifying human pandemic. And when a bicycle courier (Cillian Murphy) awakes from a coma in a deserted London hospital, he finds himself in a post-apocalyptic world where survival of the fittest means staying a few steps ahead of the infested... who create more of their own by ravenously attacking the fit. (20th Century Fox Home Entertainment)

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Kaka 

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English The film that discovered Cillian Murphy, an actor with an exceptional voice, charisma to spare, and who has masterfully played often alternative characters in films of various genres, for example, 28 Days Later, a pared-down, raw piece in an incredibly grainy and authentic execution that appeals only to a select few connoisseurs. ()

J*A*S*M 

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English Raw British horror that replaces slow zombies with fast infected people, influencing this horror subgenre for many years to come. The casting of Cillian Murphy in the main role was an interesting move, his face has both boyish and girlish features and his transformation from “someone who’s being dragged on” into “the one that saves everybody” was also interesting. Great. ()

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Remedy 

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English And then that the animal rights people have the welfare of the entire planet at heart... Honestly, I wasn't too keen on the initially trashy style, and for a long time I was convinced that I was watching Danny Boyle's weakest film. But the plot flip in the middle and my reminiscences on The Mist (is the biggest danger lurking outside or inside?) fixed that a bit, and Cillian Murphy is actually a pretty cool bad-ass here. I guess this is how I'd imagine a film made by some hardcore 80s horror fan who has a healthy obsession with zombie themes and no wider ambitions. I can't quite identify with Boyle's intent, so I'm left with pure average (which is pretty low for Boyle). ()

gudaulin 

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English Danny Boyle won over audiences with Shallow Grave and cemented his reputation as a talented filmmaker with the cult classic Trainspotting. Naturally, expectations were high for his next project, but unfortunately, it didn't quite live up to the hype, although I still give it 4 stars. It's a film that approaches its subject matter too timidly and indecisively. The pacing of the film fluctuates, the screenplay is awkward at times, and it ends with a disappointingly happy ending. Within its genre, it's still above average, but from the director of Trainspotting, I simply expected more. Overall impression: 70%. ()

lamps 

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English Strong as a whole, but unconvincing in the development of the plot, or solid filmmaking that is hard to keep up with. Either way, Danny Boyle is a very good and smart director who, in the broader narrative context, elevates his film above the level of B-movie (whether in the naturalistic intro or in the end, where is bluntly suggested that the aggressive infection is actually part of the human DNA), but the explicit meanings at times feel so loose and dumbed-down and the character development so hasty that they hurt the film’s added value. The intentionally cheap look is fitting, what is more arguable is the adequacy of the music, and personally I was bothered by some editing montages and the dumb behaviour of the characters. An interesting take on the material that actually deserved a more thoughtful and psychological layering. 65% ()

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