Directed by:
Danny BoyleScreenplay:
John HodgeCinematography:
Brian TufanoCast:
Ewan McGregor, Ewen Bremner, Jonny Lee Miller, Kevin McKidd, Robert Carlyle, Kelly Macdonald, Peter Mullan, James Cosmo, Eileen Nicholas, Susan Vidler (more)VOD (2)
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The successful adaptation of Irvine Welsh's novel about a group of young Edinburgh heroin addicts. Ewan McGregor stars as Mark Renton, the most reflective member of a group that also includes the compulsive womaniser, Sick Boy (Jonny Lee Miller), and the hapless Spud (Ewen Bremner). Renton, Spud and Sick Boy's issues with drugs alternatively irritate and amuse their friend, Begbie (Robert Carlyle), a periodic psychopath whose outbursts of violence are one of the many factors that convince Renton to leave for London in the hope of starting a new life. Renton enjoys some success remoulding himself as an estate agent in the English capital, but it isn't long before his Edinburgh friends catch up with him. Begbie and co need the money Renton has saved from his job to finance the drug deal that could make them all rich. (Channel 4)
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Reviews (9)
A film I was a bit scared of before, simply because it is about drugs. Now I wasn't afraid anymore and I watched the film, curious to see what I would get. It is definitely a spectacle that is not easily forgotten and it is definitely not a film that glorifies drugs. But everyone can take what they will from it. An interesting story, great direction, excellent acting performances, and a great soundtrack.
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Three... And if it weren't for Ewan McGregor and Robert Carlyle, I'd take one more star off. I put off Trainspotting for a long time and I probably knew why. I've hadn’t seen it up to now and I haven't missed anything extravagant. I can listen to the soundtrack (or rather the few tolerable songs) on its own, and the story about a bunch of junkies, whose stories and catchphrases seem funny and wacky to many of my friends (similarly to the Czech Loners), but to me they just seem stupid. Shallow Grave goes unsurpassed.
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So, let’s go over this again: Drugs are great, aren’t they... Danny Boyle is an excellent director, isn’t he... Ewan McGregor has now left the category of hopeful young actor and definitely moved into the category of “Mr Actor", hasn’t he... The Scots are cool, aren’t they... Born Slippy, isn’t it... Trainspotting is a cult movie. Is that clear? YES! ♫ OST score: 4/5
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There were several scenes that made my jaw drop in amazement at their genius (Perfect Day), unfortunately, though, I felt the film kind of fizzles out. The second half is no longer that great and the ending is actually weak. Whereas Requiem for a Dream managed to truly knock me down, Trainspotting only left me with the question “Hmm, nice, but that’s it?”.
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I was quite curious about the resulting comparison with Aronofsky's brilliant Requiem for a Dream. Trainspotting is actually quite funny in places; on the other hand, the comedic element is counterbalanced by some really quite harsh moments. It's probably an undeniable truth that Boyle's work is more valuable in terms of "existential depth" and has a more elaborate script, but it's equally undeniable that Aronofsky is clearly the leader in terms of visuals. Even though I consider Trainspotting Boyle's best film (the hell with Slumdog Millionaire), I can't help feeling that Aronofsky's Requiem for a Dream affected me many times more... UPDATE 02 Jun 2018 – Seen again after years, for the first time in proper quality on Blu-ray, and I must gladly add that fifth star. Trainspotting is a cult movie like crazy that Danny Boyle directed the hell out of. I love how it's just so funny to the point where I had to laugh out loud (the scene at breakfast with the tug-of-war over the sheets) and at the same time manages to evoke very uncomfortable feelings (the baby in the crib). And probably the vast majority will disagree with me, but I consider Trainspotting more of a comedy. A satirical, bitter, and veeeeery harsh comedy :)
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