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Two astronomers go on a media tour to warn humankind of a planet-killing comet hurtling toward Earth. The response from a distracted world: Meh. (Netflix)

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Isherwood 

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English Is this a brilliant satire that affects a sensitive point? Nope. Rather, it’s a very dry affair that fails in all disciplines. It strikes out in all directions indiscriminately and sometimes hits something rather unintentionally. That humanity is, at its core, a bunch of greedy assholes driven by the lust for riches and the desire to be better off than our neighbor is nothing new. Yet the film shouts it out to the world with the smiling naivety of young teenagers who want to save the world with a banner in one hand and a cobblestone in the other. Maybe these old-fashioned thought "overlaps" are enough for some people, but if I’ve got the laziest dramaturgy, I'm damn well taking the opportunity to be really clever and, above all, funny. This collection of caricatures without a single full-blooded character just travels around America, decrying concentrates of media outpourings, billionaire complexes, and political clownery, where it's fine to look for all the real-life foreshadowing, but absolutely no one is standing on their own two feet. It's like the jokes my fourth graders sometimes tell me at school: it has a confusing beginning, everything gets repeated about four times, and by the punchline, you have to help it or it's never going to end. This simply lacks effort and cuteness. The condescending smile is nowhere to be found. Middle finger up. ()

Kaka 

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English A bit overdone and insanely talky agitprop for saving the world, which is lifted up by a strong ensemble of actors, a decent turn of phrase and depiction, or at least a hint of a lot of themes that trouble us humanity and sooner or later will have to be solved somehow. It also includes stalwarts in the style of the miserable political establishment, the negatives of social networks, etc. It's clear why DiCaprio is involved, but beyond that, it's nice to see the likes of Ariana Grande, where I want to believe she knew out why she was cast and why she's playing what she's playing. Too bad about the length and some unnecessary "off topic" scenes. ()

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Pethushka 

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English I've been thinking for the past two years that making a satire must be pretty hard when reality keeps overtaking it. But Don't Look Up manages very tastefully to poke fun at our times, no matter what we apply it to on the list of what's happening now. It's probably obvious to anyone who's read the cast that the acting is going to be okay at the very least. I downright needed DiCaprio's "dry" role, and I even liked all the women around him a bit more than usual. For me, it's one of those movies that downright makes you feel better and you're happy to give something five stars after a string of fours because finally there's no BUT. ()

gudaulin 

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English I might be a heretic for it, but I will not join the large fan club of this film. I have, let's say, a reserved relationship towards Adam McKay's work, we don't understand each other, and Don't Look Up is unfortunately no exception. In my eyes, satire should be smart and sophisticated above all. However, this film is kneaded from the same material that it wants to make fun of. It is a pop culture comedy for viewers who are satisfied with little effort in character development, who want to have things served nicely, and, above all, who want to reinforce their view of the world. The film has such a strong cast that I was almost certain I would give it at least three stars, but in the last third, it really annoyed me. If there are comments comparing Don't Look Up to Wag the Dog, with the claim that Don't Look Up is superior, I see it the other way around. Wag the Dog defeats McKay's film not by one or two horse lengths, but at least by a whole stadium. Overall impression: 45%. ()

3DD!3 

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English A well-fed DiCaprio strides in for another Oscar. A rather shaky, but occasionally unexpectedly realistic picture with a powerful message which shows where we have got to and how bad things are. We could just laugh, but McKay really wanted to terrify us. A modern horror wrapped in cynical humor and dispassion. Showing us prime examples of bad decisions that are constantly being made today on a regular basis. This is filmed for dumb people too. ()

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