Alexander

In terms of acting, Alexander is very high level. Colin Farrell is excellent and Angelina Jolie blew me away, before I had a very poor opinion of her, but her she really put on a great show. The production design is exemplary, the battles duly spectacular, but the magic fades from them under the weight of longwinded soul searching. Some legendary events are left out (cutting the Gordian knot), while they could have spiced up the story nicely and bring in a taste of the unknown. Stone didn’t know when to take his foot off the gas and when to hit the floor. It was his only mistake, but it was huge. (15/01/2006)

I’m not going to mince words, I’ve never been a fan of Stone’s film (the only one that I’ve liked is Any Given Sunday). As a historical account of the life of the greatest warlord in history, whose journey was not only filled with glory, victories and friendship, but also with a lot of intrigue and hatred, this film works really well in places. The battle scenes are worth the price, likewise the music, but watching it is still terribly tiring and not everyone can stand it. Instead of entertaining the viewer, Stone gives them a thorough history lesson and introduces them in detail to all the characters. This may not be to the liking of even someone who has been a history buff all his life, let alone an ordinary fan who goes to the cinema primarily to be entertained, as in the case of Petersen's Troy. As I’ve said, it wasn’t bad, I watched it without any problems and got an idea of what Alexander was like, but I don’t think I’ll ever watch it again. (02/02/2012)

It is not a flawless film, but Stone's effort to break away from the boring descriptive narrative mode by attempting a thoughtful probe into Alexander's soul, to approach his Oedipus complex with his mother (a great Angelina Jolie), to show his desire to discover and overcome the glories of the ancient heroes of old, to bring closer his dream of uniting the peoples of the then known world under the influence of ancient learning, all while being misunderstood by those closest to him, is very appealing. Alexander is no boring boilerplate narrative with "good guys" and "bad guys" and it is free from screenwriting the shallowness and pseudo-historical insight of Gladiator or Troy. Sure, the film has its weak spots, and they are not few, for example, the bed scene with Roxana, however effective, is completely unnecessary for the development of the plot; or the scene of Alexander's taming of Bucephalos has quite a lot of room, while an event of such fundamental symbolic significance as the cutting of the Gordian knot is not even mentioned by Stone. Despite all that, the three hours passed like water and I wasn't bored for a moment. Alexander is a thought-provoking historical film, wrapped in an attractive package in the form of spectacular production design. The negative critical response from the overseas journalistic community is not at all surprising to me, given Stone's tarnished reputation as a man labeled an enemy and pariah of America. Praising Stone's films just isn't in vogue lately, and a certain effect of "sheepishness" certainly plays a role. (31/01/2005)

We live in a strange world when even many serious periodicals do not forget to mention in the first lines of their review of Alexander that the most scandalous facts of the film are two things - Colin Farrell showing his bare behind and yes, his character has a bisexual nature. How surprised I was when this tabloidization fell on infertile ground and the film turned out to be a beautiful and contemplative spectacle. There is not a hint of scandal in the relationship with Hephaestion, on the contrary, it is an honest relationship and I am sorry that contemporary society, behind its supposedly tolerant face, hides so much mockery. I could understand complaints that Oliver Stone is no longer what he used to be, but here it is more about the fact that he no longer wants to provoke or poke at the political and social hornet's nest at all costs. He made a historical film according to his own standards and he succeeded in my eyes. He let the story and the emotions prevail over the visual aspect, giving enough space to the intense love triangle and especially the fateful relationship with the mother. Moreover, he managed to write a meandering, yet excellently escalating story, the climax of which brought me to my knees. Paradoxically, this film, which undermined historical epics in Hollywood, belongs to the excellent ones. 85% (21/06/2007)

A bittersweet three-hour history lesson. Without a muscular and masculine historical hero, without action and, in the first two hours, without emotions or clear motivations for the characters’ actions (everything changes in a flashback). But even the historical atmosphere that so pleasantly radiated from the simplistic Troy has been replaced here with a bisexual erotic sultriness reminiscent of the “famous” Caligula. I appreciate the fact that Oliver Stone didn’t simplify anything and is faithful to history. As a psychological profile of a great conqueror with an aching soul, Alexander is a success. However, I expect something more from a three-hour epic. And I mainly don’t understand the investors, or rather how they could invest $150 million in a film based on a screenplay that utterly defies commercial formulas. (13/01/2005)