Howl's Moving Castle

What I appreciate about this film is its unpredictability. Miyazaki completely breaks the stereotype of fairy tales or fantasy stories – you have no chance to guess what will happen in the next few minutes, you are constantly surprised, the differences between bad and good characters are blurred (the one who is the embodiment of evil at the beginning can become a good friend) and all this happens without any stumbles in logic. Moreover, Miyazaki is like a small child, blessed with a vivid imagination, throwing one obscure idea after another in front of him. The film combines the classic fairy tale world with the industrial age of steam, the classic world of magic with crazy war mechanisms. The viewer's senses are so overwhelmed that the final impression sometimes teeters on the verge of being cluttered (which is my only complaint). (16/02/2012)

The most romantic creation of Master's fantasy. Throw away the quality standards because here we fly over mountains, doors open into four different spaces, all the main characters change their appearance, and magic is not far away. And the world of animated film is once again richer by one little treasure, much to my immeasurable joy. (07/12/2008)

Miyazaki's films grab you by the hand and take you on a magical walk through an incredible landscape. He is simply a sure thing. Once again I couldn't stop gawking at the sheer amount of boundless imagination and beautiful music. The story here was perhaps even more engaging than in Spirited Away, yet as a whole it falls a little short of it. I could still use another half a teaspoon of cuteness here. Even so, it's extremely real... almost 5 stars. (05/09/2011)

That was indeed a cinematic fairy tale for me, one that I won't forget. Hayao Miyazaki obviously has a surplus of imagination, because otherwise, he couldn't have created such a captivating world as in the anime Howl's Moving Castle. Even now I am still intoxicated by the visually imaginative film imbued with a romantic atmosphere and brimming with sympathetic characters. Calcifer, the demon trapped in the fireplace, is really great. The pleasant music and gentle, non-intrusive humor that the story possesses are certainly worth mentioning. (90%) (15/04/2021)

The transition from a steampunk fairy tale to a philosophical adventure full of various metaphors was so smooth that I didn't even notice it and I was entertained from beginning to end, even though I was sometimes confused about what was going on, especially in the finale. I’m sure I’ve written several times already that Miyazaki's imagination is admirable, but I'll happily write it again. A beautiful film with a beautiful idea. (14/10/2023)