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Danny (Jet Li) is a slave who has been raised like a dog by the sinister Bart (Bob Hoskins), who keeps him chained up and only unleashes him to use his martial arts skills in illegal underground pit fights. When Bart is injured in an accident, Danny is able to escape from his hellish existance, and goes on the run in a world which he can barely comprehend. Then he meets kindly piano tuner Sam (Morgan Freeman), who begins to teach him about music and what it means to be human. But Danny's new freedom doesn't last for long, as Bart recovers and sets out to regain his property. (Universal Pictures UK)

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Reviews (8)

Othello 

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English Well, either fucking make an urban combat movie or a sentimental sweetness about life. The filmmakers just don't know, because if they wanted to make the former, the middle part would look a little different and at least be interspersed with some of that dismembered corpse stuff, and if the latter, the fights would be limited to a scene where Jet Li takes out a giant fighter in an arena (pretty funny, by the way). As it is, it's a mixture of drawn-out fights, cute sentimentalism, and unpalatable kitsch. Plus lapses in logic. Either that or the rest of the bad guys in the penultimate scene are out of contract after the boss dies. ()

POMO 

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English I dreamed about a movie like this when I was a teenager. Too bad it only came out now. Unleashed is a rarely seen combination of an effective drama, a simple action premise, excellent fight choreography and French charm. We see Jet Li as finally humanized and relatable, Morgan Freeman plays his most typical mentor role and Massive Attack provides the music. ()

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kaylin 

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English "Off the chain" is one of those movies that I wanted to see a long time ago, but I only got around to watching it recently, in the last week. That's what happens when you're looking forward to something, but you just don't have the time or the film doesn't come to you and you don't make it to the cinema. The story immediately captured my interest, especially because it was at a time when I believed in Besson. Danny, played by Jet Li, is a man who was raised like a dog. He has a collar, and when it is released, he becomes a killer. Once the collar is put back on, he becomes obedient again. Of course, he is not raised by a peaceful family, but by a mobster who wants to make a name for himself in the underworld. Bob Hoskins, who I will always associate with the movie "Who Framed Roger Rabbit", returned to the film in a larger role. In "Off the chain," he portrayed a mafia boss, a truly negative character, but not a strong villain, rather weak. His gangster is a weakling who needs gorillas around him. Although he can sometimes get out of a fight, without Danny he would have been dead a long time ago, which also happens to him in the end. Danny escapes from the bullet-riddled car and finds himself in the care of a blind piano tuner played by Morgan Freeman. This is an actor who never disappoints and is always great. Again, this holds true, and so you can easily trust him as a mentor, which he becomes for Danny. Jet Li does a perfect job in both the action scenes where he is unbeatable, and in moments when some acting is needed. "Off the chain" is one of those small great films that touch you, get you fired up, and captivate you. Besson only wrote the screenplay, but he had a great idea that works. It is exactly one of those movies that he can put his name on with pride and be proud of. Not all of his movies are like this, but this one can easily be ranked alongside "Leon" or "The Fifth Element." More: http://www.filmovy-denik.cz/2012/10/zitra-nehrajeme-lovci-dinosauru.html ()

Lima 

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English A classic, quality, but no longer surprising Jet-Li action flick, poorly masked by a higher message in the form of unquestionable ideas about the need for friendship, love and the fact that the right family is always a support. Had it stayed with just that message, led by the always great Freeman, it would have been a great film. But combined with the breaking of all possible limbs, it's another Made by Besson single-use piece of crap. ()

DaViD´82 

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English A picture full of clichés that works thanks to the original directing, the actors, the modest running length and decent pace, despite it being a rather obvious variation on Léon: The Professional. The alternation of “intimate" sequences (although we have seen this a hundred times already) with action works pretty well, but unfortunately they don’t seem to belong to the same movie, which is also the greatest problem with this movie. And although there isn’t much action, what there is is worth it. ()

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