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Adventure sequel set after the events of Superman II. After eliminating General Zod and the other Kryptonian arch-villains, Ursa and Non, Superman (Brandon Routh) leaves Earth to search for his former home planet, Krypton. When he arrives he finds nothing but remnants and returns to Earth. Upon his return, he finds a Metropolis that doesn't need him anymore. Lois Lane (Kate Bosworth) is engaged to a relative of his boss (James Marsden), and to make matters worse, his arch-nemesis Lex Luthor (Kevin Spacey) has contrived a plot to build a continent using the crystals of Krypton that will wipe out most of North America. Superman must again race against time to stop the psychopathic Luthor before it's too late. (Warner Bros. Home Entertainment)

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Reviews (10)

Lima 

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English A Blockbuster with a soul. It captivates in several action moments (even a train accident on the big screen can be a blast), and the intimate scenes are very pleasant, mainly thanks to the main cast and the chemistry between them, which works flawlessly. Brandon Routh was born for the role of Superman and Kate Bosworth, who is not a bland Jessica Alba-type Barbie doll, exudes soulful beauty and fragile femininity. I don't accept the criticism that Singer is too reverential towards the source material and doesn't try to make it realistic and humanized. It’s Superman! A legendary comic book icon whose existence doesn't need to be subject to fashion trends and it simply doesn’t matter how he can hide his cape under his shirt or what kind of miraculous hairspray he uses. I just hope that some of the themes (fatherhood) will be developed in the sequel. With a margin of about 50% for cinema operators, it is now clear that Singer's film will not pay for itself due to the absurdly high budget (which is not visible in the result) and it would be a great pity to postpone further filming. It’s one of the best comic book adaptations in recent years and it does deserve a sequel. PS: You have to watch it in a cinema with perfect sound! ()

Kaka 

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English Surprisingly moderate and quite monotonous for Bryan Singer’s standards, without any significant deviations in both style and plot. However, one cannot deny its clearly visible openness and honesty, which impresses the viewer from the very first minute. The action sequences are almost perfectly filmed – the scene with the airplane is thrilling – but the colossal budget is difficult to understand. Perhaps the missing element of realism is bothersome, it is not present even in terms of the protagonist’s characteristics, but it also applies to the setting where he appears. The airplane they call a Boeing 777 is actually not that, a 4G speed would tear it apart immediately, whereas here it comfortably continues to fly. This is just a fraction of the gigantic nonsense this film has. But if you are willing to accept that and the shots of the embracing couple against the backdrop of the night city do not cause any problems (rather the opposite), you will thoroughly enjoy this movie. ()

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Marigold 

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English So I watched it till the end, and I suffered. For me, this is a film that is dead both on the top and on the bottom - it refers to something, but it is not clear what. The film quite selectively chooses what it needs for melancholic sniffing and winking. Brandon Routh has the charisma of a folded clothes hanger, and in his role he appears very gay and youthful, which hurts especially when he parrots the one-liners of Christopher Reeve, whose charisma he wasn’t even close to. Lex Luthor, whom Spacey plays in a psychotic spirit, but with occasional bursts of comedic overacting a la Gene Hackman, is also appalling. The film deserves more pity than respect. The storytelling is drawn out, the attractions unattractive, the plot oiled with the fat of love, and the fatherhood is clumsy. Wooden, dull and bowing so deftly that it gives the original statue an awkward five-head. ()

3DD!3 

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English Superman is back at last... But Singer didn’t manage to take his dream project up to the very peak. You can see how meticulous he is throughout the movie, lots of things and shots are references to Donner’s movie, which is really nice to see, but still falls a little short of perfection. God knows what it is, but somehow it spoils the overall watching experience. Maybe my standards are a little too high after seeing Spider-Man and X-Men , but Superman simply isn’t such an interesting character and part of his fame is based on nostalgia (at the beginning I had difficulty holding back my tears when I heard Williams’ “Superman Theme" thundering away ;) But in any case, Superman Returns is a great movie, with superb special effects and excellent acting performances (Brandon Routh is a flawless Superman and an even better Clark Kent, Kate Bosworth as Lois wasn’t nearly as disruptive as I had expected and Kevin Spacey makes an even better Luthor than Hackman), but it just isn’t as good as it could have been. ()

Remedy 

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English Bryan Singer, like Christopher Nolan, has done honorably at breathing new life into his comic book hero, but his Superman Returns is a long way from Nolan's Batman Begins or The Dark Knight. It's hard to say whether it's the fault of the director (which I doubt) or the studio that despite such an ungodly fat budget, the result is basically a slightly above average flick. I wasn't disappointed, but my expectations were not exceeded (as they were with the Batman films). Still, I remain optimistic and look forward to The Man of Steel. Something tells me that this time Singer will step it up and film it to perfection, we'll see. For "Superman’s return" it's rather an incomplete 4 stars. ()

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