Sky Captain and the World of Tomorrow
Directed by:
Kerry ConranScreenplay:
Kerry ConranCinematography:
Eric AdkinsComposer:
Edward ShearmurCast:
Gwyneth Paltrow, Jude Law, Giovanni Ribisi, Michael Gambon, Bai Ling, Omid Djalili, Laurence Olivier (a.f.), Angelina Jolie, Mido Hamada, Mark Wells (more)VOD (4)
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In this science fiction adventure set in the 1930s, New York City reporter Polly Perkins (Gwyneth Paltrow) starts to investigate why so many famous scientists are being reported missing. Soon, she gets clues, as strange flying machines and giant robots threaten the city. Luckily, her old flame, aviator Captain Joseph Sullivan (Jude Law) aka Sky Captain, is there to battle the bad guys with the Flying Legion, in his Warhawk P-40. Now Polly must fly away with Sky Captain to Nepal to find a crazy scientist, Dr. Totenkopf (Laurence Olivier), who apparently wants to destroy the world! (Paramount Home Entertainment)
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Reviews (12)
While the plot is quite thin, and particularly the point fizzles out into nothingness, it's a visually remarkable film that references famous past movies and evokes the atmosphere of cinematic and literary classics of adventure stories. There's a bit of Jules Verne, a touch of Metropolis, and echoes of American sci-fi from the 1930s. Overall impression: 65%.
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An unusual approach to a fascinating story. A wonderfully fairytale approach with elements of thriller and sci-fi. Some of the scenes reminded me at times of my all time favorite, Star Wars. It’s just a shame that in places (especially during the second half) the movie rather loses pace; otherwise I’d give it 4 stars.
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A deliberate essence of stupidity. I can’t understand why anyone would want to make something like this and why anyone would want to watch it. As an attempt at naive retro sci-fi it’s successful, as a film for the 21st century viewer is an epic fail. Listening to most of the dialogues felt like slow, painful death; if the film was half an hour longer, I wouldn’t have been able to write this review.
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Although The World of Tomorrow is playful and its patina of old movies is charming, the flimsy and predictable story cannot be hidden by the most compelling visuals. There were moments when I was actually bored. Even so, Conran's film reminded me a bit of some of Karel Zeman's films with its visual innovation and retro mood. I'm definitely curious about Conran's next project.
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A lot of blinking, lively dialogues, and one big toy that I can't play with. Jude Law is forever a character actor for me, who has nothing in common with a smiling action hero, and the cold Angelina is pure agony this time. The only significant advantage is that something is constantly moving, breaking, or flying on the screen, but in terms of how much was said about the film during its creation and how the creators boasted about it being a historic milestone, it quickly deservedly fell into oblivion.
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