Sky Captain and the World of Tomorrow

A lot of blinking, lively dialogues, and one big toy that I can't play with. Jude Law is forever a character actor for me, who has nothing in common with a smiling action hero, and the cold Angelina is pure agony this time. The only significant advantage is that something is constantly moving, breaking, or flying on the screen, but in terms of how much was said about the film during its creation and how the creators boasted about it being a historic milestone, it quickly deservedly fell into oblivion. (11/09/2007)

The plot-driven and especially the punchline have fizzled out, nevertheless it is an artistically remarkable film that references famous movies of the past and evokes the atmosphere of classic adventure film and literature. It has a touch of Verne, a touch of Trsouka, and the creators of American sci-fi from the 30s. Overall impression: 65%. (01/12/2007)

Although The World of Tomorrow is playful and its patina of old movies is charming, the flimsy and predictable story cannot be hidden by the most compelling visuals. There were moments when I was actually bored. Even so, Conran's film reminded me a bit of some of Karel Zeman's films with its visual innovation and retro mood. I'm definitely curious about Conran's next project. (19/01/2005)

An unusual approach to a fascinating story. A wonderfully fairytale approach with elements of thriller and sci-fi. Some of the scenes reminded me at times of my all time favorite, Star Wars. It’s just a shame that in places (especially during the second half) the movie rather loses pace; otherwise I’d give it 4 stars. (31/05/2006)

A generously produced fan’s homage to film adventures. It has so many quotes and visual ideas that a day later I’ve already forgotten what it is supposed to be about. I didn’t get bored, for sure, and I admired the boldness of the creators that, notwithstanding the poor quality of the special effects, send the heroes into a relentless series of huge set-pieces, but by the end I was missing a more solid director power and I could no longer bear Gwyneth Paltrow, who has forgotten how to act and whose annoying character destroys the godly Angelina in five minutes. That said, it’s likeable bullshit with a filmmaking soul. 70% (24/01/2019)