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It is the second half of the 13th century. The widowed master of a yeoman's stronghold, Vlkov, marries young Lenora. His twelve-year old son from his first marriage, Ondřej, gives his future "mother" a basket as a wedding gift with bats hidden among white flowers. The father, blinded by fury, flings the boy against a wall. Kneeling over the bleeding limp body, he then prays to the Virgin Mary, begging for the boy's recovery and promising he would give Ondřej to her service. The recovered boy is then taken to the North, to a castle, which is a site of a powerful crusader's order, its members eschewing women as well as all other profane temptations. Ondřej is befriended by Armin von Heide, an ascetic and fanatic who exaggerates the abstention almost masochistically. Years pass and Ondřej has become an adult. In the time of fasting, the order knight Rotgier escapes from the castle and Armin pursues him with the other men. Ondřej runs into the refugee by accident and their rushed talk ignites desire for freedom in him as well. Although Rotgier is caught and killed by a pack of hounds, Ondřej, too, decides to run away. He reaches as far as to Vlkov stronghold, where the widowed Lenora lives. The two people become close and decide to marry. Armin, following Ondřej close upon his heels, sneaks around the stronghold and enters it on the very wedding day. Lenora does not want to chase the unknown guest away and even kisses him in a friendly manner. In the evening, the fanatical man invades Lenora's bedroom and cuts her throat. Ondřej lets him be worried to death by dogs and he penitently returns to the site of the order. (official distributor synopsis)

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Reviews (8)

Malarkey 

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English The Valley of the Bees is a deeply philosophical movie. It is also very oppressive and impersonal, suppressing all emotions and feelings that a film could arouse in the audience. The result is that The Valley of the Bees is a perfect, raw depiction of the Middle Ages, the likes of which would be hard to find in Czech cinematography. And even though it lacks emotions, it is definitely a film that you must not miss, because it will convince you that all kinds of things used to be shot in Czechoslovakia in the past. And they had success with the audience then, so why shouldn’t they be appreciated today? ()

gudaulin 

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English Film treat that was created as a side product and poorer little brother of Marketa Lazarova. Basically, a very simple plot is shot poetically and at the same time rawly, it is an extraordinarily suggestive film experience with music perfectly tailored, excellent camera work, and great performances by Cepka and Kacer. In this film, however, the cliché "there are no small roles" perfectly holds true. I claim that if Údolí včel was shot in color, it would have been half as good, the black and white material co-creates the balladic atmosphere of the story. Overall impression: 95%. ()

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DaViD´82 

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English “My father promised me to the Order. To save his soul." If it weren’t for Herz’s year younger The Cremator, The Valley of the Bees would sit on the imaginary throne of Czechoslovak cinema. This way it is doomed to second place, but what can you do... And that shows amongst other things that I belong to the “barbarian riffraff" who consider this, Vláčil’s picture to be better than Marketa Lazarová (which is a bit of a paradox since The Valley of the Bees was only made to make use of the costumes and scenery left behind after it). The Bergmanesque proportions, the indescribably splendid camerawork (I will probably never get bored of the shot at the end with Ondřej disappearing into the darkness) and Liška’s score make watching this a wonderful experience for the mind, eyes and ears. And the actors are absolutely... We don’t see Petr Čepek on screen, but Ondřej of Vlkov. Nor do we see Jan Kačer (who currently stars in an awful Czech telenovela), but purely and simply Armin von Heide. The same applies for the others. OK? OK! ()

D.Moore 

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English From my point of view, a more impressive and perhaps also more successful film than Marketa Lazarová - perhaps because The Valley of the Bees was not as hard to understand, its script is not in any way "cryptic" (the monologues and dialogues from the pen of Vladimír Körner are undeniable) and the actions of the characters are easy to read. Petr Čepek is absolutely amazing, Jan Kačer is literally demonic... However, the one that has grown closest to my heart is Josef Somr in a small but important role. Zdeněk Liška's music is as beautiful as ever, but there is no point in praising Vláčil's direction to the heavens, as it has been there for a long time. A one hundred percent film. ()

kaylin 

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English The film, which is considered one of the best ever made here. When I was watching it, I felt like I was watching Bergman. Slow but intense moments with incredible performances, which only enhance the power of the overall experience. It's one of those films that must be seen. It may leave you feeling cold and say that it's for intellectuals, but somewhere deep down you will feel that it has done something to you. ()

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