Plots(1)

The Revolution is now: The Matrix Revolutions. Neo. Morpheus. Trinity. They and other heroes stand on the brink of victory or annihilation in the epic war against the machines in the stunning final chapter of The Matrix trilogy. For Neo, that means going where no human has ever dared - into the heart of Machine City and into a cataclysmic showdown with the exponentially more powerful renegade program Smith. For The Wachowskis and producer Joel Silver, that means soaring beyond the amazing visual inventivness of the first two films. (Warner Bros. Home Entertainment)

(more)

Videos (1)

Trailer

Reviews (11)

POMO 

all reviews of this user

English Matrix Revolutions has a more tangible and meaningful plot, less pseudo-philosophising and less gratuitous action for effect than in The Matrix Reloaded. I’m satisfied with that. You’ll find yourself yawning through the first hour, but the subsequent “war of the machines” is amazing. If there were more emotion in the final digital fight between Neo and Smith, Revolutions would have been a class better than Reloaded. The film’s ending has an appropriate amount of the pseudo-depth that the whole saga has been faking. Those who thought that there was something big behind everything will be disappointed. Unavoidably disappointed. Three and a half stars. ()

J*A*S*M 

all reviews of this user

English Rating the entire trilogy. Like in Reloaded, there are moments that really pissed me off, but as a whole it’s amazing, and the climax, when white is reunited with black, can’t be described other than superb, unexpected (though actually inevitable) and incredibly deep… PS: In the great order of things, the Battle of Sion is just eye candy, but that doesn’t alter the fact that it made my jaw drop. ()

Ads

Lima 

all reviews of this user

English “Hey Larry, Joel Silver was here.” - “Yeah? And what did the old bastard want?" - “He said he had a lot of money for us if we wanted to shoot another two parts.” - “That’s great, bro! Let’s put something together, then. We have loads of ideas, we can put them all together and something will come out of it.” - “Cool. So, here we put this, and we put this here, here we drop that long dialogue scene, it’s just verbal filler, but who cares, they’ll survive. And, bro, it’s ten minutes long, and you know, ten minutes here, ten minutes there, and we have four hours, two hole films!” - “Yeah, you’re right. And here we could squeeze some sequence inspired by anime, the Japanese love that and they’re the second biggest movie market in the world. We can’t go wrong.” - “Yeah, and some love-story, too.” - “Hey, Andy, those heroic moments wouldn’t hurt and...” Enough with the snark, now I'm going to be dead serious, I'm going to be as serious as the heroes of the Matrix; so serious and lofty that in the wonder of their own loftiness they sound, in the words of Amadeus, as if they shit marble… One way to grasp the Matrix is to search and search for meaning, search for the key to the truth. But it's a bit like dropping the key to my place into a puddle, I’d have to find it because otherwise I wouldn't be able to get into my apartment, but truth be told, digging in a puddle is not very "interesting" fun. Just as much as digging through a pile of verbal ballast and suffering through seriously meant pathetic dialogues that lack a shred of insight. I would so much like to search and find the meaning, but the Wachowskis won't let me because of the form of their narrative. And yet The Matrix Revolutions could have been a great movie. The scene from the subway station, from the "intermediate section", was funny and awesome. Likewise, the ending itself, I'm not afraid to say, was breathtaking! But everything in between? Awful! Pathetic battle scenes cut from the Soviet film Liberation. The Wachowskis proved that I remembered my childhood years, when I went to see shitty Soviet war films for free that were full of pathos of the coarsest grain. “How old are you, kid?” - “Eighteen.” - “Should have said sixteen, I might have believed that.” - “All right, I'm sixteen.” - “The minimum age for the Corp's eighteen. Sixteen's too young.” - “The machines don't care how old I am. They'll kill me just the same.”... This is not a sample from a Soviet war movie, but from this film. The American kid wanted to fight and he accomplished a great thing. No, really some patterns don't change even after fifty years and it doesn't matter the country of origin. But despite these excesses, The Matrix Revolutions is not a stupid movie, although some of the interpretations are ridiculous. For example, the shape-shifting of the Oracle is explained by Matrix advocates as a Merovingian punishment, but the reality is much more prosaic. Gloria Foster, the actress who played the Oracle, died during the filming, so the Wachowskis helped themselves to this pathetic ruse. I have nothing against the concept of the Matrix, but the form, my friends, the form… () (less) (more)

kaylin 

all reviews of this user

English As I wrote in "Matrix Reloaded", these two movies should be evaluated together because they work best together. Yes, it is sometimes too commercial and on the other hand sometimes too philosophical without actually saying anything. One is actually just going in circles and there is nothing to grasp. However, when it comes to the final scene, where Neo has to reach the main brain and either win or lose, it always touches my heart and gives me chills. It definitely didn't fulfill what the first movie promised, but I can't help it, with distance I'm not actually that disappointed. ()

Marigold 

all reviews of this user

English Cut Reloaded and glue it together with the best of Revolutions and behold: that would be a film! Yet, after an unbalanced and melted intermediate link, Revolutions is a brisk spectacle that benefits from the chatter of Reloaded (there's no need to think about anything deeply anymore) and the visual mastery that The Matrix is famous for. It’s nice to look at, and the ending is really riveting, as is the message of the whole story. Plus it has a great soundtrack. I love this trilogy because it is not only "one", "two", etc., but is really a conceptual work that, as a whole, creates a huge potential universe that can be further populated. In addition, it allows you to engage your brain and create your own intertextual "matrix" with classics of world philosophy and literature. It may lead to exaggerated constructs, but thank God the "mass" story places such high demands on the viewer at all... ()

Gallery (126)