Prey

Dan Trachtenberg gave me a similar pleasure as he did with 10 Cloverfield Lane. Predator: Prey is a confidently made adventure horror film that isn't afraid to go its own way, and at the same time, I dare say it will please fans of Predator more than anything that came after the second film. And like 10 Cloverfield Lane, the trailers are pretty deceptive and the film ends up having a slightly different feel and pace than you might expect. Still, I think I enjoyed the first half more, where there's no rush to get anywhere and the Comanche setting is unadorned and quite attractive. And while there's no Arnold, these tough guys from the American plains aren't wimps either. The main character is also very easy to root for. What I enjoyed most, however, was the way Trachtenberg treats the Predator itself in the first half. It gets an unexpected amount of space here, and for the first time we get to see it properly as a hunter, and a very fierce and cruel one at that. The new Predator won't rewrite the history of the genre or the brand, but it's a well made and above all cleverly conceived film. The former is what we hoped for, the latter is what I personally didn't expect, and I'm all the more pleased about it. It was a success. (05/08/2022)

A bit of a better made-for-TV movie. The few panoramic shots try to give the impression of visual richness and grandeur à la National Geographic, but for the vast majority of the time it's just a visually poorer film that doesn't belong in the cinema and the streaming format suits it. It doesn't lack a few neatly severed heads, what it lacks the oppressive atmosphere of the first one, which is on a completely different level. The Indians lack believability, and when I compare it to the likes of Mel Gibson's Apocalypto, which literally worked wonders with a comparable budget in terms of period authenticity and visual gore, I almost want to cry. A female protagonist in a predator franchise is an interesting idea, unfortunately in a film where only the bear scene stands out from the average. And no, the heroine's final fight, which turns the Predator into an incompetent moron, I really didn't buy that one. Arnold could beat such a naive slob with just his farts. (06/08/2022)

I’m thrilled! Thiis is exactly the kind of story Predator needed. As much as I love Black's last foray, the western concept is a hit, and there are plenty of beautiful parallels between the alien hunter's quest and the lives of the Comanche heroes. The film doesn't rush anywhere and I liked how mysterious and suspenseful it is even for the viewer who knows what's going on, who landed in those woods and what they're after. Everything makes sense (the Predator gradually raises the bar by what he hunts and how he hunts, the protagonist also gains abilities, and she's not alone, although the trailers made it seem so), it's fun, clever, original, imaginative, action-packed and mysterious... It easily keeps up with the original and the second one. And I want the second part, because it's definitely on the cards and the end credits hinted at it. PS: I would like to single out Sarah Schachner's music, which easily made do without the Silvestri theme. (06/08/2022)

I will go against the flow. The Predator saga needed a return to the sources and uncomplicated simplicity, but this concept was completely at odds with my idea of effective filmmaking. Unlike the original, which is a textbook thriller where everything works perfectly, Prey doesn't work dramaturgically at all and mires the viewer in uninteresting dialogue, zero tension, absent character development and continuous action, but it becomes so routine in the first few minutes that it quickly gets boring. Moreover, the abundance of digital animals and CGI effects in places where they are not needed, makes it unbelievable. This was supposed to be the most natural Predator, instead it's the most artificial of them all. It’s not there. (10/08/2022)

Just my sort of Disney movie. No need to make a live action version of Pocahontas... Trachtenberg slowly but effectively builds the atmosphere in the style of the original Predator and carefully calculates where to pull out the trumps just at the right moment in the story. The camerawork, production design and the overall atmosphere swallows you up and doesn’t let you go for an instant in the second half. Midthunder is completely convincing as the young Indian girl and carries the entire movie effortlessly on her shoulders. Although the message that technique and details are much more important for killing than strength is rendered invalid with the pistol handed over at the end, which indicates what then had to happen in the epilog, but maybe the filmmakers are just preparing the ground for a sequel, who knows? (05/08/2022)