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When Alex’s mother witnesses his arrest on a protest march, she suffers a heart attack and falls into a coma for eight months, just enough time for the Berlin Wall to come tumbling down, along with all of East Germany’s ideals. Eight months later, Christiane wakes up and things have changed. The doctors warn Alex that any shock could bring on a fatal heart attack. He realises he must convince his mother that her beloved Communism has not been overthrown but is in fact triumphing over Capitalism. Alex then sets out to recreate every detail of the old East inside the four walls of their tiny council flat, and what begins as a little white lie soon turns into a deception of comical proportions. (Independent Cinema Office)

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gudaulin 

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English Smart and above-average satire on the so-called ostalgia, or nostalgic longing for the old, good certainties of real socialism in the extinct GDR, and not just by German standards. We actually know this phenomenon in a weaker form here as well... The film is based on an excellent idea supported by a well-developed screenplay and decent, imaginative direction. The actors are typologically precise and generally good in their roles. However, the ones who can truly enjoy this little gem the most are the witnesses who experienced that era and know... Overall impression 85%. ()

kaylin 

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English This film is an interesting parallel to a regime that the main character is trying to keep alive for his mother. Even that regime was just an illusion that had to end eventually. The acting in the film is excellent and Daniel Brühl shows that he truly has skills throughout his career, and I only hope to see him more often. ()

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Necrotongue 

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English Rewatching the movie today, I felt like going back in time to another journey back in time. I enjoyed it just like I did the first time. It's just that I liked different things about it this time. When I first watched the movie, I was drawn in by the plot and the extreme actions taken by the main character. Today, my focus shifted to the making of TV shows for a single viewer, showcasing how easily the same shot can be repurposed for different propaganda. While the main character was only misleading his mother (for her own good), the brainwashing orchestrated by states (or other institutions) corrals the human herd into a singular, supposedly correct framework for the greater common good. / Lesson learned: Don't make the same mistake I did. Be cautious about speaking your mind; someone might notice... ()

DaViD´82 

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English No hint of comedy at any single moment of the entire two hours of running time. Which isn’t necessarily a bad thing. The theme alone is a gold mine. Too bad that the creators didn’t get anything out of it. And it is doubly disappointing that throughout Wolfgang Becker gets stuck on a thousand and one variations of the same scene. Even so, Goodbye, Lenin is a good picture because it entertains, but not using humor. If nothing else, it at least makes an attempt to come to terms with the past - whether it is successful, apt and dignified in doing so, I shall leave you to decide. This movie is utterly incomparable with the Czech “romp" Pupendo which at first glance is very similar, but at second glance everything is different. ♫ OST score: 4/5 ()

Lima 

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English The comedy label is very misleading in this case. This is definitely not a romp, but rather a sensitively conceived film about filial love, the nooks and crannies of family relationships and coping with sudden social and political changes in one's country. The certain naivety of the script in the son's masking of reality from his mother cannot be overlooked, but that would be my only complaint. I would probably enjoy it more if I were German and had experienced all the changes myself. Becker seems to have hit the bull's-eye, because Goodbye Lenin was the most successful film of the year in its country of origin. ()

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