Restore Point

This was good. Czech film sci-fi no longer has to feel like cheap TV entertainment or co-productions with friendly socialist countries (today's co-productions are freer, not an ideological choice). Recovery Point is undoubtedly an exceptional project, a solid detective story from the year 2041. The near future is built around the possibility of backing up humanity, which is a game changer. The lead male roles are played by classic faces of Karel Dobrý, Matěj Hádek, and Václav Neužil ml., while the actresses are new: Andrea Mohylová and Agáta Kryštůfková, and it will probably be a joy to watch what they do next. (20/09/2023)

If I were to write a review of Restore Point, the numerical rating would be average, maybe slightly above average, and might discourage someone from going to the cinema. That would be a huge mistake and, more importantly, something I wouldn't really want. This little attempt at Czech sci-fi that blew our minds with its trailer definitely has a lot to offer, and actually I'm still processing the fact that even in this country you can make a film that looks so good on a relatively modest budget. I'm not just talking about the quality of the effects, but about the production design, the work of the architect and the ability to learn what's right from foreign models and use it in a Czech film. To a certain extent, Restore Point is exactly the kind of film we were hoping for and shows that excuses like "we can't do it here" are really just excuses. Unfortunately, however, all those stunning visuals are not accompanied by a very interesting story. Restore Point is basically a whodunit, but unfortunately it's rather banal and boring, because it works with a minimum of characters and let's say that when Karel Dobrý is in a movie (and he does a good job), you somehow expect that he won't turn out to be a good person. As a crime drama, it eventually holds up with some effort, and there are some interesting solutions in the character work, but compared to the audiovisual aspect, the overall mediocrity and unattractiveness of the plot is almost distracting. I certainly didn't leave the cinema thinking I got ripped-off, though I'd be bullshitting if I said I didn't hope for better. Much better, actually. But for the sheer audacity to try the sci-fi genre here, and for how great Restore Point looks, its creators deserve your time and money for two hours. And then you can hope with me that next time it'll all go great. (04/07/2023)

I told myself I wouldn't give Restore Point a thumbs up just because it's a Czech film, and so I'm giving it an average rating, but I also encourage everyone to go to the cinema and support a commendably different domestic film that we don't have to be ashamed of. The main problem with Restore Point, in my opinion, is the story, which piles one tired cliché on top of another, is either overwrought or, on the contrary, raises unnecessary questions... And it lasts almost two hours, which is really too much. Although I wouldn't go see it again, I certainly don't regret the money I spent on the ticket and I look forward to seeing what Robert Hloz makes next. (23/09/2023)

A traditional Czech crime drama set in a nice sci-fi world with a touch of Blade Runner, but with few visual attractions. The actors didn't impress me (although the female lead is likeable), the plot didn't entertain me at all, the film absolutely failed to draw me into the plot and it was quite difficult to keep my attention. I was rooting for it because it’s something a little different, but when it's boring as hell, it's a wasted effort. It will find fans, it missed me. 4/10. (26/01/2024)

Restore Point is a bold and ambitious venture in Czech cinema, and I am glad that they embarked on it – even though the plot is a compilation of older foreign pieces. With its premise, Robert Hloz's film evoked projects like Black Mirror or Minority Report, while also having a strong cyberpunk feel. Despite these obvious influences, I enjoyed the film immensely in the cinema. Andrea Mohylová, unknown to me, played the main role perfectly, and Jan Vlasák and Milan Ondrík were the most appealing among the other characters. I wish Czechia made more films like this would be made regularly (once every few years), which could stand comparison with foreign productions. (01/10/2023)