The Seeding

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We can probably agree that growing up is hell, but growing up alone in the desert is another kind of hell altogether. That’s what one hiker (Scott Haze) finds out when he encounters a lost child while photographing a solar eclipse. What starts as an act of good Samaritanism turns into a deadly cat-and-mouse game between him, a group of menacing teenage boys, and a mysterious woman with a unique connection to them (Kate Lyn Sheil). As it turns out, The Seeding is more than just an eye-catching title. It’s something much more terrifying. From the very first scene of Barnaby Clay’s feature directorial debut, audiences will be on the edge of their seats. A slow-burning thriller from a prolific music video director, The Seeding is a stone-cold nightmare that confronts our fears of isolation and unchecked toxic masculinity headfirst. Boys will be boys, and in the vastness of the California desert, their worst impulses come out to play. (Tribeca Film Festival)

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English The Seeding in an OK variation on sectarian dramas set in the wilderness. It’s a bit predictable, though entertaining. For a film with such a simple subject and limited setting, it’s sufficiently engaging and arouses curiosity as to how the main character will be dealt with. Dark music and a presentiment of bad days to come. Scott Haze turns in a good performance and is the only truly top-tier element of the film. [Sitges Film Festival] ()

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