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In the Aladdin and the King of Thieves, Aladdin is worried about his impending marriage to Princess Jasmine, and in particular his future role as a father, as he has never known his own. When the legendary 40 thieves arrive to raid the ceremony, Aladdin is forced to put such concerns to one side as he follows the fleeing group of thieves and unwittingly moves closer to finding his long-lost dad. (Walt Disney Studios Home Entertainment)
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Although Jafar's return didn't break any records, it also didn't hide its forced nature too much. On the other hand, the King of Thieves is somewhat more pleasant and naturally fits into the story. However, a new villain appears, because competing with the vizier for the third time simply wouldn't work. The whole story revolving around Kasim and the colorful band of murderers is steadily ticking away in its simplicity, and the songs will stick in your head for a few days after watching. However, due to its predictable clichés, it still doesn't receive a higher rating. Thanks to the slightly satisfying conclusion of the trilogy, the rating dangerously approaches 70%.
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It wasn't until the end of the trilogy that I found peace. Aladdin was a huge phenomenon in the 90s, with the TV series of the same name being aired and gamers jumping around in the city of Agrabah on their computers. Yet who would have guessed that the wedding would come after such a long delay? It was necessary to come all the way here. The important thing is that the third film is better than the second.
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