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Jodie Foster plays Kyle Pratt, a recently widowed aircraft designer who must fly her and her daughter back from Berlin to America in order to bury her late husband. When she awakes from a much-needed nap, she realises to her horror that her six-year-old daughter Julia is missing. Kyle initially thinks her daughter may have wandered off, but mild panic turns to full-scale hysteria when after an exhaustive search Julia is nowhere to be found on the plane. More worryingly, it emerges that Julia was never even registered as a passenger on the flight. With no one on board confirming that they had seen her, the audience is left guessing as to whether this is all a figment of Kyle's strained state of mind. Tense action follows as Kyle must rely on her own instincts to save herself and find her daughter. (Buena Vista Home Ent. UK)

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DaViD´82 

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English Had it not been for the terrible screenplay, this could have been a more than decent thriller. The interesting introductory premise remained criminally unused. At the same time, from the beginning (or in the first hour or so of the movie) everything looks pretty good until the "shocking climactic twist", which while everyone anticipates it, at the same time everyone hopes with all their might that it wouldn’t come to this... But it does. After the psychological-mystical introduction comes the action-dramatic finale of the worst and saddest type. The screenplay is truly weak, with poorly written characters. At least the actors give as much as possible to these desperately one-dimensional and mostly useless characters. Even the director tries to disguise the weaknesses of the screenplay as much as possible, but it simply cannot be done and so it remains a mediocre affair in all respects. ()

gudaulin 

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English This is a drama that is much stronger in its questioning when it provides no clues, let alone answers. When it stops asking, it quickly, very quickly, loses steam and the ending becomes painfully routine, riding on the most embarrassing clichés. The film starts at 4 stars, only to slip to one in the end. I'll give a final 2 stars for Jodie Foster's effort. Overall impression: 40%. That plane looked more like an ocean liner or a luxury hotel. Either way, its operator doesn't bear the burden of fuel payments. This is only possible in the aviation fleet of some oil-soaked Arab state... ()

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POMO 

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English *** Spoilers! *** Flightplan is most reminiscent of Ron Howard’s Ransom. However, whereas Ransom was built “only” on a powerful twist that divided the film into two halves that work separately and together, Flightplan wants to go further; the powerful twist isn’t enough and is instead intended to make a major point. But the film’s insensitive and confusing transition from the first, psychological level to the second, action-oriented level requires viewers to spend ten minutes finding their bearings in the plot, after which they are only served a portion of American heroism. Flightplan is a technically precise, atmospherically and psychologically well-made drama that turns into a feminine version of Air Force One. And that’s a shame. ()

3DD!3 

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English A dark, suspenseful thriller, that is a strange combination of all possible movies with the theme “trouble on board a plane". I was surprised about what happened with the story in the end and was gobsmacked about what the screenwriters had managed to put together. And about the kidnapper. He was about as suspicious as another ten people on that plane. But I admit, I had my suspicions ;-) ()

Pethushka 

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English I liked the first half of the movie a lot. Just the kind of psychological puzzle movies I like. But suddenly the villain is revealed to the viewer and a huge and stale bore begins. She tries, blah blah blah... he's hot on her heels... and she eventually escapes him. She's a hero. Except for the ridiculously flubbed ending, a nice show. ()

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