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After serving together in the French Foreign Legion, Franz Propp (Charles Bronson) and Dr. Dino Barran (Alain Delon) go their separate ways only to be reunited by an extraordinary coincidence. Barran is persuaded by a friend to sneak into an underground bank vault and help return stolen bonds. While he is hiding, he comes upon Propp, who is actually there to rob the safe. After getting locked inside the vault, the two very different men strike up a powerful friendship that binds them together through a series of shocking developments — from a miraculous escape to being framed for murder. (Kino Lorber)

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D.Moore 

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English "Yay!" For God's sake, please don't read the official distributor text! You'd just be spoiling the experience of an enjoyable and rather well thought out film in which Delon and Bronson work beautifully together. Really extraordinary - true male friendship emanates from every scene they share. And the whole vault-robbing passage...! Great! ()

gudaulin 

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English I only gave it 2 stars, which does not indicate any enthusiasm, but I will start with what works well in my view of the film. Firstly, the presence of Alain Delon. He was at the peak of his career at that time, and his minimalist acting in the roles of tough guys rightfully gained a lot of success with the audience. Secondly, the presence of the second movie star, Charles Bronson, also contributes to the film. No one expects character acting from him, and he was very solid in typical roles of adventurers with a strong fist. Thirdly, the typical 60s visual style, from the hairstyles and costumes to cars - for those who like this era, this film is a feast for the eyes. The chemistry between the two main characters works decently, and the film is a celebration of male friendship. Unfortunately, that's where the list of positives ends. The main obstacle is the overly complicated and far-fetched screenplay, which requires its characters to have completely twisted mental processes and relies heavily on extreme coincidences. The surprising resolution falls into the category that can only elicit a forgiving smile and sarcasm. Upon closer inspection, one cannot help but notice numerous logical gaps and absurdities that bring the film to its knees. On the other hand, it is not a film that makes me angry or that I consider a waste of time. Overall impression: 45%. ()

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