Underworld: Evolution

I did take one star off, but only because it didn't bring anything new compared to the first installment. Then again, the things I liked about the first one didn't get spoiled by the second one, so I had a pretty good time again while mostly switching my brain off. I was just puzzled by the combination of Russian-speaking policemen driving cars with Hungarian signs. (17/04/2017)

Exactly one star better than the fist one. There is more and better action, better cinematography and effects, less pompous and empty bullshit (but of course there is no lack of it either), only Wiseman's vampire-lykan mythology remains uninteresting and dull. PS: Scott, I can't tell you how much I can relate regarding the erection... (01/04/2006)

Len Wiseman is not a good screenwriter by any stretch of the imagination (I was convinced of this unfortunate fact when I saw the first film) and he is definitely not a good director (which I somehow, strangely accepted last time). Underworld: Evolution amounts to a bunch of awkward dialogues that are supposed to be interludes between the frantic action, which the director used excessively. But according to the motto "too much of everything is bad," Underworld is an overly noisy, flashing, and frenetically edited spectacle that glues together boring dead weight from the plot. For some reason, they strangely cut out the werewolves and the film more or less revolves around strange vampire "politics" that are laughable. The Speedman-Beckinsale duo starts off with a nice sex scene, which is where their pros in the film end. Underworld: Evolution is nothing more than a popcorn movie trying to be something more. It's not enough just to have perfect technical aspects (sound, cinematography, CGI) and dirty-looking sets to add to the film's rawness. It lacks a plot with more sense and maybe a little bit of directorial inventiveness. Perhaps that's why I'm skeptical about the idea of a trilogy. (09/04/2006)

Better action, meaningful mythology, and even more attractive Kate Beckinsale still aren't enough for at least a solid film. The Underworld series will forever remain an unfinished great idea for me. Evolution, although aiming relatively high, is brought down by the tiresome crucial battle and trivial conclusion. (07/03/2006)

A cheaper, blue-filtered version of Van Helsing that becomes ever more predictable as it draws closer to the end credits. Thanks, however, to the shorter runtime and Kate Beckinsale’s great image, I found this less boring than Van Helsing. (02/03/2006)