Silent Hill

Silent Hill is a visually captivating horror flick, particularly in the first half. It draws all of its power from its impressive sets, sound and solid acting. However, the more it reveals what’s hidden, the more predictable it becomes in terms of content, which is constructed only for effect. That said, it is the clear winner among game adaptations such as Resident Evil and Doom. It is, after all, a solid top-tier production. (20/10/2006)

I hadn't played the video game, but I had high expectations before the movie, followed by somewhat conflicting reactions, so I was appropriately excited. The result was pleasantly surprising. In horror movies, the atmosphere is extremely important and Silent Hill is an example of a film that stands or falls with a well-established atmosphere. The depressive environment of a destroyed city, where ash constantly falls to the ground and black smoke rolls, accompanied by the wailing sound of a siren, dark shadows appearing, and people's faces covered with gas masks all serve to evoke a feeling of claustrophobia, and dark premonition. As it is well known, people are most afraid of the unknown, and the film is logically strongest in its first third when evil still has an abstract form. If the director didn't try to explain anything, my final impression could be 100%. The twist itself didn't impress me, but fortunately, it was not decisive for the result. In its category, Silent Hill has had no competition in the past two years. Overall impression: 75%. (01/12/2006)

I'm not a fan of computer games, I didn't like Resident Evil, and I couldn't even adapt in the two hours after passing the Welcome to Silent Hill sign. It’s obvious that the film has been handled by the most competent people in the field and its technical aspect in particular is great and scary, not to mention the oppressive atmosphere brought by the dead city covered with falling ashes. But nothing about this film as horror can make up for a bunch of holes in the story (which I still wouldn't have minded) or my purely personal problem, namely that I couldn't find my way to it and even dozed off slightly at one point (although it might have been because I was fresh out of a graduation party). Either way, this, which in many people's opinion is the best adaptation of a computer game, didn't impress me much and I don't see any reason to revisit it. (23/01/2013)

Another proof that the world of PC games and the world of film are not yet very compatible. Gans brilliantly portrays the oppressive atmosphere of the game, but you can sense the leaning towards the mainstream and the resulting somewhat sterile portrayal of the horrors of darkness. The few digital boogeymen and the very decent gore didn't save it (but Pyramid Head was impressive despite the small space). They should have pushed the envelope more, throw out the boring storyline with the completely useless Sean Bean, which diluted the dense atmosphere of the film unnecessarily and did not solve anything, and above all to make the unraveling of the mystery more clear. It was too overcomplicated and chatty at the end. But Radha Mitchell was great. (31/07/2006)

In Silent Hill, Christophe Gans didn’t set off down a path to a regular horror movie and at the beginning it turns in the direction of a psychological drama about a mother and her adoptive daughter and only later shows us hell in the real sense. At last somebody has given up on traditional (dumb) frights and Silent Hill relies on the bizarreness of deformed people - creatures (the walking...um, acid-spitting blob, Pyramid Head and the nurses). But the main thing this movie has is ATMOSPHERE in block letters and in bold. And in addition we are given a chillingly intelligent story (especially the very end will resound in your head long after) and excellent acting performances (particularly Radha Mitchell is breathtaking). I hope that the horror genre turns more this direction in the future, because this movie had me pinned to my seat with fear and sometimes I was using just one eye to watch, ostensibly using the other to read the subtitles. And that’s what horrors are meant to be. (26/07/2006)