Undisputed II: Last Man Standing

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Sequel to the 2002 film. This time, Heavyweight Champ George "Iceman" Chambers (White) is sent to a Russian jail on trumped-up drug charges. In order to win his freedom he must fight against the jailhouse fighting champ Uri Boyka (Adkins) in a battle to the death. (official distributor synopsis)

Reviews (4)

Isherwood 

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English A perfect brain flush that casually grabs your attention with zero plot, compensated by an absolutely perfect whirlwind of action. Although it is clear that some of the actors occasionally tied a wire to their feet or hands, the contact fights will captivate you with their sophistication and, above all, clarity. Isaac Florentine’s work has filled the shelves of video stores with dignity until now, but the fact that he doesn't use twenty cuts for one shot, as is usually the case with his colleagues, elevates him to a true ass-kicker. However, it is unfortunate that Michael Jai White, with his performance and speech, belongs more in the role of a bodyguard of hip-hop niggas than between the ropes of a Russian prison as a good African-American. Fortunately, he has a skilled adversary in Scott Adkins, who takes the notion of bad motherfucker to another dimension and raises the second volume film two levels above the first. ()

Kaka 

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English A flat out USA vs Russia fight, set in far away Siberia. Michael Jai White and Scott Adkins are great and the action scenes are brilliantly edited. Terrible crap with no logic, but if you skip everything else, that ring is pretty much worth it. ()

kaylin 

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English Michael Jai White and Scott Adkins showed that it's possible to get much more out of the Undisputed series than the first film achieved. Both lead actors are excellent choices, and their fighting is just gritty, full of adrenaline. Scott is a creep here, but that's exactly what was needed. The climax is almost not even the fight itself, but everything in between. ()

Remedy 

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English Essentially a brutal romp dominated by two giant megabadasses played by Scott Adkins and Michael J. White. The story is exactly as deep as the script requires, and there are virtually no weak spots. Its straightforwardness and honesty is absolutely fascinating. [80%] ()