Plots(1)

Edward Zwick directs this tale of a prized diamond, the hands through which it passes and the inhumanity that results from man's greed. Danny Archer (Leonardo DiCaprio) is a former Zimbabwean mercenary now living in Sierra Leone during the '91-'00 civil war. Archer hears that an imprisoned Mende fisherman, Solomon Vandy (Djimon Hounsou), has found and hid a large, pink diamond whilst doing forced labour in the mines the guerrillas are using to fund their war. Vandy has escaped the camp but his son is left behind. Archer has the wherewithal to help him make the perilous return to the camp, though his motives are less honourable than those of the frantic father. An American Journalist Maddy Bowen is sniffing for a story and forms an attachment to Archer, who looks like a story all of his own. She's soon embarked upon the journey with them - her contacts as useful as those of Archer in securing a path through the dangerous terrain of this lawless country. It soon becomes apparent that Archer is not the only one who's heard about this giant pink jewel and the trio is beset by those intent on having it at every turn. Can they reach Vandy's son before the rebels brainwash him and make him yet another boy soldier? Can Maddy convince Archer to do the right thing for the right reason? Is there a heart in Archer's chest? (Warner Bros. Home Entertainment)

(more)

Videos (2)

Trailer 1

Reviews (11)

Lima 

all reviews of this user

English Visually, there is nothing to complain about. Every dollar of the 100 million budget is visible in the generous production design, Zwick is very good at action scenes, the two key ones, the massacre in Freetown and the attack on the RUF camp, are examples of great filmmaking. But the film fails in the story, which is an amalgamation of a poor attempt at some kind of overarching idea pointing out the pains of contemporary Africa, and a completely bland plot. It’s written according to the tried-and-tested formula of mainstream Hollywood productions, with a predictable plot and a lot of clichés, including a cheesy final phone call that definitely left my eyes dry. This is also because the script gives very little space to the emotional tension between Archer and Maddy, whose tears – thrill me, kill me – I simply didn't believe, and even the strong scenes (the training of small RUF adepts) get completely lost among the plot ballast. There was no deep lasting experience, only "watch it and forget after a while". Otherwise, Djimon Hounson's expressive performance was once again a pleasure, DiCaprio has finally manned up and stole some scenes (I could feel his suppressed anger at Hounson during a great scene with a hunted baboon) and his work with a machine gun during the attack on the RUF camp would be appreciated even by John Rambo :) ()

novoten 

all reviews of this user

English Do not be fooled by the long exposition into an important and dangerous topic. What will follow is worth it. Edward Zwick proves that "The Last Samurai" was not just a coincidence. The harsh scenes of the ruthless R.U.F. group, Djimon Hounsou's breathtaking determination, and the uninterrupted tender love story symbolizing undying hope. Additionally, DiCaprio, as Danny Archer, is a properly angry Rambo, and the scene where he wades through muddy water in the camp amidst explosions and bullet salvos is an unexpected action thriller. Give "Blood Diamond" a chance, no matter what you think about the subject and genre. And it will hurt for Africa. ()

Ads

gudaulin 

all reviews of this user

English Yes, Blood Diamond can be criticized for a certain sentimentality, which stands out especially during the death of one of the characters, and overall a slightly Hollywood-tinted script, which caters to an American moralistic and positive view of the world. However, it is top-notch directorial craftsmanship with plenty of quality performances, a story set in a realistic environment, and a rarely functional combination of political themes that reveals a burning issue of the present, with a quality adventure story. If a tragicomic mishmash like Rambo has almost the same rating, while the difference in quality is like that between a grain of sand and the Sahara, then I have no choice but to give Blood Diamond five stars. If the adventure and action genre were always represented by such high-quality films as this one, then I would have no problem with it. The fight scenes, whether in the jungle or especially during the siege of the capital, are among the best I have seen in the relevant genre in recent months. Overall impression: 90%. ()

3DD!3 

all reviews of this user

English Visually refined viewing that is intended to provoke that proverbial chill down your spine. Unfortunately, just showing is no longer enough these days, so no chilled spine. It needs more. The trailers were much better at it (I would even place one of them in my golden trailer fund). Even so, Zwick did a perfect job. It’s been a long time since I saw such wonderfully filmed scenery (locations, landscapes). In terms of acting, hats off to the great Hounsou, the gorgeous Jennifer Connelly and especially to DiCaprio who very pleasantly surprised me. So that’s a solid 4 stars and if Edward Zwick intends to continue in this direction, I’ll make very sure I don’t miss his pictures. ()

DaViD´82 

all reviews of this user

English The epic production design, brilliant technical side and the suitably booming soundtrack by James Newton Howard are the indisputable pluses here. The makers achieve the almost impossible for most of the movie, successfully balancing on the edge between an adventure movie in Romancing the Stone style, while also having enough time to highlight the problems in Sierra Leone, and perhaps most of the African continent. The action scenes are intense, and the dramatic storyline has balls. What prevents Blood Diamond from getting a better score is the closing quarter hour where the hitherto well-constructed characters turn into one-dimensional cutouts. Everything ends up as expected and we even get a moral at the end for those who managed not to understand what Zwick is saying the whole time using “movie language". An ending like that might be okay for family viewing, but in a politically engaged movie this is absolutely at odds with the rest of it. And that is doubly disappointing in a movie of this quality. ()

Gallery (46)