X-Men Origins: Wolverine

Wolverine alone has earned two films over a period of four years purely about him. I didn’t understand why they did it, and overall I don’t even understand the meaning of the whole X-Men movies, where they return from the present to the past only to gradually jump into the future. I don’t understand the narrative line of all the movies, and I’ll probably never understand it. But what I admit is that this movie, unlike the Wolverine film itself, is perhaps even better. This is mainly due to the atmosphere of the 1970s, which seems absurd to me whenever I’m reminded of it. However, so be it. Three stars for not being completely bad at filmmaking. But everything else in this series is meaningless, and I think I will never find any meaning in other films from this series. (26/10/2015)

I have only seen the first two films of the X-Men series so far and they made a very solid impression on me. Wolverine takes a completely different direction and is not what I am looking for. It is more action-packed and visually impressive, but somehow immature in a teenage way. Even Liev Schreiber, one of my favorite actors, in the role of the main antagonist, did not improve my feelings. It is likely a generational matter because as a teenager I would give it at least one more star. Overall impression: 45%. (16/12/2009)

Crap that cost a lot of money always piss me off the most, and with Wolverine's origin my anger is clear. It’s an incredibly unoriginal comic book movie that fails in everything. Really, one cliché after another, already during the first fifteen minutes or so there are two shots of a screaming kneeling figure with a camera flying upwards. At least it makes you retroactively appreciate Ratner’s third part. (14/07/2011)

Adrenaline, excitement, fascinating action, and Jackman. Although Gavin Hood doesn't go through complicated storylines or delve into deep psychological exploration, it's beyond me how the creator of the desperately average Rendition could create such an amazing tribute to Logan. I simply rejoiced in everything, from the warrior Wolverine, to the lone Wolverine, to the expectedly raging Wolverine. Nevertheless, I acknowledge that this five-star review is probably highly personal. (24/05/2009)

Disappointment that is on a level higher than the final part of the trilogy. Even Jackman's unquestionable charisma cannot hold together a story which, after a fairly promising start, burst into disjointed fights, silly dialogues and terribly predictable twists. The unique magic of the X-Men series has somehow disappeared, and I'm really wondering what puts Wolverine above all other soulless comic book fight films. Instead of the neglected question of the mutants vs. people relationship, Hood's film was supposed to feature a troubled hero, but only those shiny claws and an angry expression really remain of Logan. Paradoxically, the biographical film contributes the least to the image of the Wolverine of all the films, and while it does benefit from the charisma of previous films, the new knowledge about the hero's past is very weak, contrived, exaggerated and sometimes almost embarrassingly calculated. The image concept has nothing with which to captivate, the music is ok, the actors ok, but the added value that the viewer is used to with Singer is simply missing here. Unfortunately, what I suspected with regard to X-Men: The Last Stand has been confirmed. Without Singer, this universe lacks any distinctive charm. [50%] (27/04/2009)