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Tense detective thriller, directed by Ben Affleck, about a small-time private investigator hired to find a kidnapped girl. Living and working in a run-down, impoverished district of Boston, Patrick Kenzie (Casey Affleck), along with his partner Angela (Michelle Monaghan), investigates the cases nobody else wants. When four-year-old Amanda McCready (Madeline O'Brien) disappears from her drug addict mother's house, the local police investigation, led by Capt. Jack Doyle (Morgan Freeman), comes up short. Hired by Amanda's aunt because they know the area and the locals so well, Patrick and Angela set out to uncover the truth, but soon find themselves caught up in a web of lies and corruption that threatens their relationship. (Optimum Home Entertainment)

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Reviews (11)

Kaka 

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English A quality film for one evening. It's not an Oscar-worthy masterpiece, nor a film that you could watch twenty times and still discover something new, it's ordinary, austere, technically simple, and quite effective in certain moments. But the storyline isn't that elaborate, and many things can be guessed from the course of the film. Above all, Ed Harris is outstanding. The ending didn't deliver the catharsis I expected, but it has a logical culmination. Ben Affleck is definitely better behind the camera than in front of it, and I think that has surprised many film fans, especially since it's his directorial debut. ()

novoten 

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English This story looks like a classic. One crime that not only changes the lives of all involved, but completely turns them upside down. And all with the help of a constantly twisting script, which is so cleverly narrated that you won't start twisting at any turn, wondering what we just saw. And when something similar almost happens, like during the key action at the quarry, the voiceover of the main character immediately assures you that you are definitely not alone in it. What surprises me the most is how quickly the story won me over, so that despite the anonymity and ordinariness of the character Patrick, I was scared of him after a few minutes and experienced all the crucial decisions with him. Affleck's directorial certainty is therefore an unimaginable promise not only for the genre. ()

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kaylin 

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English Do you remember Ben Affleck? Definitely, yes, his star hasn't fallen, quite the opposite. He is the actor that many people couldn't stand precisely because of how he acts/doesn't act. However, he managed to win an Oscar. Not surprisingly, for the screenplay of the movie "Good Will Hunting". It turned out that he is not only a great screenwriter but also an excellent director. His first success was precisely the film "Gone Baby Gone", for which he also wrote the screenplay. If something speaks to you in the movie, then it is love for the city. Not the beautiful things that are shown to tourists, but love for the city as it is. "Gone Baby Gone" is not a detective story, it is mainly focused on one person who seeks justice at any cost. The law is the law, and even though his methods are very harsh, his language is not refined, and his age is young, he always seeks the truth at any cost. A great, powerful story about a child abduction, a brilliant ending, and unexpectedly good performances by the actors. Maybe it's because an actor who becomes a director knows what he wants from actors. More: http://www.filmovy-denik.cz/2012/04/diar-milovnika-filmu-c-005-reziser.html ()

Isherwood 

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English Ben Affleck strikes back at all the scoffers over his acting talent and shows that he can do much more behind the camera than in front of it. Any absence of ill-considered steps, and on the contrary, absolutely perfect scene timing, great camera work, or excellent editing, show that there he has top talent. Especially if he chooses an excellent script next time, which will blow you away with its intensity of dialogue, a dose of life experience, and especially the final double-twist. After American Gangster, this is the second film whose absence from the Oscars is incomprehensible. ()

Lima 

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English A powerful drama, very well written, but above all brilliantly directed. I’m inclined to agree with the opinion about the intellectual overtones mentioned several times here, the dilemma that is transferred from the main character to the viewer at the end is impressive and the last shot, my God, is perfection itself. And most importantly, the whole narrative has oomph and it doesn't matter if it's the chillingly harsh scene with a paedophile in the second half of the film or a simple dialogue between the two protagonists. A true joy to watch. And Casey Affleck? He articulates weird, he looks weird, he acts weird, but all of that together create a very interesting person that I couldn't take my eyes off. Ben, in the future, act as you did in Hollywoodland, while continuing to develop your undoubted directorial talent, and I have no choice but to repeat myself: "It was a great pleasure." ()

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