Captain America: The First Avenger

He came last, but when things get worse, be sure that he will be standing at the front line. Steve Rogers stayed somewhat on the sidelines throughout the Avengers journey, but in the end, to my great surprise, it is precisely him who got under my skin the most. His loyalty, bravery, and naivety in the most positive sense, combined with his style of fighting, are simply unrivaled. When the dark Red Skull or the self-sufficient Agent Carter join, there is nothing left but to applaud. Marvel won this war, and I gained a hero who has been appearing on several t-shirts to me for almost a decade since the filmed origin. (14/08/2011)

Fun, full of exaggeration and featuring the excellent Tommy Lee Jones, but also straightforward and with disgusting Czech dubbing to boot. It also works mainly as a mere performance of the Captain, necessary for the Avengers, so the start in the first half is quite lengthy. The film feels a bit like a prologue. The excess of German weapons and equipment is immense. But it was worth waiting for The Avengers teaser. (23/07/2011)

I have a soft spot for Joe Johnston's films. Why? Watch Jumanji, Hidalgo and Jurassic Park 3 and you might understand... The guy's filming because he enjoys it. He has no problem mixing action, special effects scenes of all kinds and humor, which is his greatest strength. So three cheers for him directing Captain America. I can't imagine another director (except perhaps Spielberg or Sommers) who could make such a ridiculous hero so "believable" in the real world. All in all, this comic book movie has it all: A wonderful retro atmosphere in the style of Sky Captain and the World of Tomorrow, likeable characters (big ones, with Chris Evans in the lead, and small ones, like the members of the Captain's team), ultra-evil villains, a really top-notch soundtrack by Alan Silvestri, action scenes like from a boy's dream (what does a soldier do when he runs out of bullets in an ordinary rifle? He grabs the nearest dead Kraut's ray gun, fires it away, and then takes it with him!), an admittedly forgettable love plot, but with a non-forgettable badass woman, good, eye-popping digital special effects, like in the fourth Indiana Jones, and thoughtful continuity with other Marvel movies (the big space given to Stark Sr. was a delight). In the closing credits you will not only see the Czech flag - you'll even see Jack Nicholson in there (I insist it's him)! (11/08/2011)

It’s almost impossible to evaluate it objectively. It’s a film full of excellent lines, details, camera sweeps, several dialogue scenes, and a beautiful chemistry between the main characters. It’s slightly naive, and gradually turns into self-parody, but I couldn't help but feel a certain fragmentary and inconsistent mix of styles. Sometimes the it doesn't know what it wants to be, so it throws in everything just to be sure. A bit like combining Tomorrowland and Indiana Jones. I didn't enjoy the action and the visual effects were average, except for a few exceptions – I expected much more in this regard. Visually, the trailer was much more captivating, which is quite amusing in hindsight. But it's not all bad. Hayley Atwell is a first-class babe who will make a career out of this role, and the final scenes with the bomber are visually stunning - I haven't seen such mix colours in a long time. (14/08/2011)

I think I'm going to hide in Asian cinema for a while after this crap. I don't know why America is trying to mix the impossible lately. Suddenly the cinemas are full of sci-fi westerns and war fantasy action flicks. I'm turned off by the red monster that disrupted the rather excellent retro atmosphere (kudos to Hayley Atwell's make up). The tiny and determined kid becomes a super-powered idol rolling out one badass line after another. But was the invincible and mostly cheesy shield really necessary? 2.5 stars. (16/08/2011)