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Paranoid, end-of-the-world thriller, in which a science teacher and his family try to outrun a neurotoxin sweeping the country. Lecturing his students about the mass disappearance of bees, teacher Elliot Moore (Mark Wahlberg) is informed that a wave of mass suicides is occurring across the country, initially believed to be some form of biological terrorist attack. Deciding to leave town by train with his wife Alma (Zooey Deschanel), fellow teacher Julian (John Leguizamo) and Julian's daughter Jess (Ashlyn Sanchez), the train finally comes to a halt before its final destination when the crew loses contact with the outside world. As the full enormity of the situation sinks in, what little information available from news reports suggests that the rapidly spreading neurotoxin is emanating from plants, and being spread on the wind. As the suicide pandemic reaches ever smaller population centres, Elliot, Alma and Jess have to fend for themselves, desperately seeking shelter from the approaching storm. (20th Century Fox Home Entertainment)

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Reviews (13)

POMO 

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English Just no. This movie has Shyamalan’s typical signature in creating suspense (a spooky house with a spooky landlady), which tempts me to give it three stars, but unfortunately everything essential is amiss. The love motif doesn’t work, the relationship between the main characters is incomprehensible and there is no trace of interesting dialogue or a final point. The Happening is a bland, sometimes exciting and sometimes naïve farce, cooked in water salted with James Newton Howard’s music from Signs. ()

Gilmour93 

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English Mother Nature can’t be thrown into a cell at Guantanamo, so what’s left for us to do? Change our email signature to: “Think of yourself… Print this email in as many copies as possible!” It seems we can't do anything. Shyamalan usually hits the right note with his choice of themes and presentation, but here, even with its slim runtime, there’s a lack of coherence, the relationship to the central duo at the heart of the apocalypse is entirely indifferent, and Professor Wahlberg's "performance" wouldn’t even suffice for modeling underwear. However, it makes no sense to pretend it didn’t happen. Compared to The Last Airbender, it’s still an attractive spectacle. ()

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Zíza 

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English Well, I don't know, I'm kind of on the fence about this... If that's supposed to be a warning, it's a pretty lame one... in any case, I see it as the story of two people who didn't get along very well, their marriage stagnated, but thanks to something going on in the background that made them see a lot of dead bodies, they got back together... I guess :D ()

3DD!3 

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English Except for Marky Mark’s somewhat odd performance and my expectation of a more powerful moral than just that people are mostly a bunch of scumbags who deserve to die (btw our Slovak brothers' title ‘Event’, is a catchier than the Czech ‘It Happened’) I quite liked it. The opening scenes, especially the one with the flying workers, are flawless and people behave wonderfully freakishly. Zooey Deschanel was fantastic as was John Leguisam's mathematician. Shy the director still knows how to make a movie. He can create the right atmosphere and so on, but Shy the screenwriter should take a break for a while. Wait for better ideas and prepare a big comeback. Too bad he didn't have a jab at Potter. ()

Lima 

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English It’s a pity that the wind didn’t also engulf Václav Klaus, at least Shymalan's ecological agitprop would have had some useful effect. Now, seriously, Shyamalan hasn't lost his directorial skill and he can still make scenes that give you chills, but the problem here is in two things: the half-baked concept, where logic takes a vacation quite often, and then the leading duo. Mark Wahlberg, as much as I like him, is absolutely unsuited to the role of a high school biology professor and bumbling husband (Mark's pissed-off macho characters are best with a gun in his hand) and whenever he tries to play some serious emotion and speaks up, he ruins all the action on screen with his perpetually furrowed brow and unbelievable speech. Mark, sorry, this didn't work out (and now I’m afraid of Jackson's The Lovely Bones). And Zooey, that doll with big eyes, gives it an even bigger punch. So Shyamalan lost with the casting and the half-baked script, but I'm still a fan. ()

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