Into the Wild

An absolutely divine film in perhaps all possible and even impossible details. After all, how many times has anyone thought about their life and considered escaping into nature and living in a completely non-consumerist way, like in a preserve? This film is about a boy who gave it its fullest and opened the door for other people. Until then, Sean Penn was basically a great, but a bit strange actor for me. Now I have to say that he is also a genius filmmaker, because what he did with the actors cannot be described with words. I could feel the emotions from everyone, and the music really added a lot to that. Finally, after a long time, a film where the running time was not a problem for me, quite the opposite. I liked that even though the film could have been practically without dialogues, there is still something going on in it and there are still different people and different characters that the boy who ventured into nature meets. A film that evoked so many joyful, sad, positive, but also negative emotions in me like no other in a long time. (04/01/2013)

“The freedom and simple beauty is too good to pass up.” A dream come true for every viewer with the soul of an adventurer and traveller. I had long since grown out of radical rebellion against the system (after all, even Christopher did not despise the achievements of civilization – an abandoned bus, where he stretched out on a dusty mattress with gusto), but due to his family circumstances, I understood his motivation and somewhat envied his unrestrained travel. Sean Penn filmed it very well, with beautiful cinematography, breathtaking scenery and the likeable hippies Christopher met on his journey. And there aren't many musicians whose songs would fit better than Pearl Jam’s frontman Eddie Vedder, also a free-thinker, so I had no problem believing the lyrics. The criticism of the light construction of the screenplay vanished at the very end, when it was revealed that the story was based on the diary of a real character. An almost out of the blue great performance by Emil Hirsch. (07/03/2008)

I didn't expect such boredom. The transformation of the protagonist was impressive and the music that accompanied him on his journey was nice, but what did it matter when I didn't believe a single one of his deep thoughts, which sounded only like godforsaken phrases in my ears, and when I was already very unpleasantly bored after an hour. The strangest thing of all, however, is that I like melancholic films with a similarly slow pace and pensive atmosphere. This one certainly won't be one of them. (05/09/2015)

“Entering the wilderness purposefully ill-prepared, and surviving a near-death experience does not make you a better human, it makes you damn lucky." A non-verbatim “novel" adaptation of an excellent documentary book. You don’t often see that sort of thing. Even though it’s true that the situation was that much easier for Penn due to the fact that he scratched all the stories of the people that McCandless meets, and a lot of chapters about similar adventurers and his declared devotion to unfettered freedom. And he was still left with enough material to write a short novel, which would be far too much for the running time. So he rewrote it in his own way - very loosely. And it works excellently, although personally I am bothered about how he changed the character motivations (e.g. Ron Franz) and about the very idealized perspective on Chris’ actions. The movie version of Krakauer’s “Into the Wild" may stand proud next to its book parent and they beautifully, and rarely, supplement each other. Plus, Penn finds firm support in the camera, Eddie Vedder’s music and of course Hirsch’s performance. And all the above may be enjoyed whether or not you takes Chris as a new-age hero discarding all worldly goods (the only perspective offered by the movie), an irresponsible poser rich-kid who got what he deserved or simply “just" a regular humanly erring naive dreamer who bit off more than he could chew. But still, the book is simply better and, with its many layers of perspective (although it’s obvious which opinions the author himself holds dearer), more powerful. And, rather surprisingly, the movie has awoken in me a desire to set off into the wild. (03/04/2008)

The audience gets closer to the protagonist by slowly uncovering his childhood in a dysfunctional family. At the beginning, they might feel cold towards him, especially for his overly radical outsider opinion and reluctance to accept anything from consumerist reality. As a viewer, however, I was able to overcome this coldness towards Chris and ended up with tears in my eyes. Into the Wild is a wise, psychologically complex film that boldly explores deep existential questions. Moreover, it is beautiful. And Sean Penn is a genius. I consider his feeling-based portrayal of Los Angeles to be the second best scene of the film (behind only the brilliantly edited ending). (29/04/2008)