The Mummy: Tomb of the Dragon Emperor

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When a 2,000-year-old curse is broken, a ruthless dragon emperor (Jet Li) comes back to life with a diabolical plan to enslave the world. Mankind's only hope against him and his legions of undead warriors lies with the courageous O'Connell family, who chase him from the dangerous catacombs of China, to the icy Himalayas and beyond. (Universal Pictures UK)

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Reviews (11)

Stanislaus 

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English The Mummy: Tomb of the Dragon Emperor basically largely rips off the previous installments, especially the second one, and even though it was released in 2008, it doesn't exactly offer great visual effects (though thankfully, they're better than in the second one). While I've liked Maria Bello since Coyote Ugly, I missed the excellent Rachel Weisz. Brendan Fraser was still quite fit, but still bland acting-wise, as was Luke Ford as his son. Jet Li wasn't bad, John Hannah was passable (the interaction with the cow was funny), but it was Michelle Yeoh who appealed to me the most out of the whole cast. That said, the presence of the yetis, the family filler, the stilted action, and the stilted script inexorably bring the film down to the waters of mediocrity. ()

MrHlad 

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English Jet Li has risen from the dead and decided to take over the world. Fortunately, Rick O'Connell and his family are here to stop him. The Mummy: Tomb of the Dragon Emperor is hampered by poorly shot action sequences, and while there is always something going on screen, you rarely come across a genuinely entertaining moment in the barrage of mediocre visual effects and toe-curling dialogue. This wannabe adventure film that masquerades as ideal family entertainment is actually a prime example of wasted potential. ()

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novoten 

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English The third part came like an uninvited poor relative whom you don't like even before they knock on the door. However, while everyone expectedly wanted to kick it out, I found a way to it. And this despite my suffering from the loss of Rachel Weisz and therefore the inevitable transformation of Evelyn into a character who is neither a writer nor an adventurer, just a mandatory maternal element. With the change of director, he also lost a class of more childish humor, but I am still a viewer who hears, admires Brendan Fraser's adventurous position in big-budget archaeological trips, and holds my breath during the prologue, autohonic, or avalanche. Although I was one of the worst prophets, I must now admit that I was surprisingly wrong. Shanghai and the Himalayas cannot replace Egypt and London, but still - thanks for my beloved series only dropping one class and not ending as deep as it could have under the hands of another team. 75% ()

3DD!3 

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English Certainly effective, but more like an overpriced video game. If it weren’t for the solid cast and outstanding ending, it would have been a tragedy. Jet Li is criminally underused and I bet that he managed to film his part in three days max, but luckily he makes a good villain and so he manages to impress despite everything. And when I think back to the trailers, it looked so promising. Oh dear. ()

Kaka 

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English Colorful crap from time to time plays on an ambitious and visual effects-loaded note of a wannabe, failed blockbuster. All the atmosphere of the previous parts is gone and the watchable mix of action, romance, and adventure has been replaced by computer-generated avalanches, werewolves, the Terracotta Army, and the boring clown Jet Li. Those who expect an epic sequel will be disappointed. The wiscracks don't work, there is no story, and technically the worst by a long shot. Rob Cohen did exactly what was expected, he messed it up nicely. ()

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