Dallas Buyers Club

Dallas Buyers Club is a film whose main pillars are the subject based on a true story and very good performances of both leading actors, Matthew McConaughey and Jared Leto. Both of them have taken their roles conscientiously and their performances are convincing, so I am not at all surprised that both of them got the Academy Award. I must also commend the work of the make-up artists, who did an excellent job. I was slightly bored at a few moments, but otherwise the plot was very tight and consistent (16/03/2014)

This is actually some proper film-making craftsmanship. Matthew delivers an almost perfect acting performance and Jared Leto has no problems keeping up with him. They both play people infected with the HIV virus. But they don’t merely portray them, they truly experience the characters. Matthew is getting skinny right before our very eyes. And Jared, skinny as he already is, changes the color of his skin in a pretty scary manner. I tip my hat off to them for this. With Jared, I’m really fascinated by how far he is willing to go. Since he is a singer, I don’t think he can afford to change his body weight so radically. I’d really love to know whether this affected his musical career in any way. If nothing else, he proves what an actor he truly is. If I was on the Oscars committee, I would have a clear idea of whom to give the golden statues. Matthew proved in 2013 just what good an actor he is and Jared put on such a show that if I were to see him in another movie, I’d think that he’s crazy. But as I said… a tip of my hat. You will find the story repulsive at first, gradually, you will notice the changes in the way the characters act. And these individual moments will keep on piling up until you get to the ending and you will realize that you won’t get to see such radical a transformation in many movies. (05/02/2014)

-Thank You. -Fuck off! Breaking Good? Not entirely. Dallas Buyers Club is surprisingly not an emotionally manipulative drama about the belated awakening of a homophobe. It is rather a sober film – in terms of both form and content – that instead of glorifying Woodroof, admits that this cowboy did not deserve any exaggerated compassion even after he contracted AIDS. The effort taken to not harp on the protagonist’s suffering and to simply depict him corresponds to the objectiveness of the form (filming without additional artificial lighting, documentary-style asymmetrical shot compositions, non-evocative use of music). If the film isn’t emotionally cold,  that’s particularly due to the gaunt McConaughey, who lost approximately 20 kilos for his role as Woodroof. Even though he plays only a shadow of his heroes from other films, he never loses the sparkle in his eye. The way that he combines inordinate self-confidence, blatant impudence and admirable tenacity makes the protagonist an ideal campaigner against the (medical) establishment, which expects nothing more from its nemesis, who personifies the indomitable nature of American ambition, than the fact that he will soon die. Also fascinating especially for his physical transformation is Jared Leto, whose scenes with McConaughey are remotely reminiscent of Midnight Cowboy, another film that didn’t take itself too seriously and, on the other hand, neither revelled in its serious subject matter nor trivialised it. 75% (10/01/2014)

Academics and the majority of people were once again fooled by the placebo, similarly to some of the patients in this film. The serious existential theme darkened their minds and for two hours, the classic standards of cinema ceased to function, meaning that what we usually see as bad in other films does not exist here. This film is small, modest, and undoubtedly serious and alarming in its theme, forcing us to reflect. However, besides brilliant performances, the witty dialogues, and the excellent costumes, there is nothing so revolutionary about it that would justify treating it as the film of the year. Ultimately, it doesn't say that much, though it should also be noted that it doesn't impose or force anything. So, as a historical reconstruction it’s okay, but it falls far from being a captivating film. I wasn't thrilled; I was satisfied, without being extremely enriched. (02/07/2014)

How to live with HIV, not giving in to anyone or anything, cursing and going all out until the very end. Matthew McConaughey refuses to cry or laugh superficially and takes it head-on through all obstacles, even when it could be the last day of his life. And today could quite possibly be that last day. A sincere drama that is most lovable precisely because, just like the main character, it remains true to itself the entire time. (19/01/2014)