House

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The film follows Jack (Reynaldo Rosales) and Stephanie Singleton (Heidi Dippold), a self-absorbed couple who get sidetracked on their way to a counseling session. After blowing out their tires, they find their way to the Wayside Inn, a ramshackle B &B where they meet an equally self-obsessed couple. The foursome quickly find themselves terrorized by a household of ghoulish servants and a masked lunatic, known as "The Tin Man" (Michael Madsen), who demands a dead body by sunrise. Their only way out, it seems, is to venture further in. But the deeper they go, the more horrifying the killer's game and their night becomes. (official distributor synopsis)

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Isherwood 

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English A quote from the Bible at the beginning, followed by one layer of clichés on top of another, the transparent natures of the characters who are unsympathetic assholes to boot, a terrible boring hour and a bit, and an idiotic finale with a moronic point and a laughing Michael Madsen at the end. But even that poor guy can't improve it whatsoever. Well, that’s that. ()

J*A*S*M 

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English It’s a pity that this hotchpotch had such a nice trailer, my disappointment is very big because of it. The first thirty minutes or so promise some slightly above-par entertainment, but the moment the theme shifts from “masked killer” to “magic house”, all the tension goes to hell, the characters lose whatever judgement they had left and horror fans get bored because what happens on screen is neither scary nor bloody. Before the botched ending, though, I was still considering three stars, but that twist was too much. If it was the first time it was used, it would be great, a second time could be inspiration, but a third time is already a rip-off, and House is at least the fifth film that has used it. So, instead of the trailers, trust the awful poster. ()

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