Plots(1)

Roger Ferris (Leonardo DiCaprio) is the best man US intelligence has on the ground, in places where human life is worth no more than the information it can get you. In operations that take him around the globe, Ferris' next breath often depends on the voice at the end of a secure phone-line - CIA veteran Ed Hoffman (Russell Crowe). Waging war from a laptop in the suburbs, Hoffman is on the trail of an emerging terrorist leader who has orchestrated a campaign of bombings while eluding the most sophisticated intelligence network in the world. To lure the terrorist out into the open, Ferris will have to penetrate his murky world. But the closer he gets to the target, the more he discovers that trust is both a dangerous commodity and the only thing that will get him out alive. (Warner Bros. Home Entertainment)

(more)

Videos (11)

Trailer 4

Reviews (11)

DaViD´82 

all reviews of this user

English Syriana in a more commercial guise. In comparison, Body of Lies is easier to understand, more accessible to the general public, but at the same time no less relevant, it’s pertinent not dumb at all and the acting is no worse. Ridley again proves anew that he’s getting a third wind in his retirement and hasn’t lost any of his talent. ()

J*A*S*M 

all reviews of this user

English Three or four stars? I can’t decide. Body of Lies is unable to make up its mind whether it wants to be an entertaining film or one with a message. Unfortunately, it fails at both. The entertainment factor shows up only in a few shootout scenes between constant telephone calls and changes in location, while the “edifying” aspect appears here and there delivered by Russel Crowe (as satirical black humour) and Mark Strong. Plotwise it’s nothing remarkable, either, and I can’t avoid the feeling that the film could have easily continued for another half hour after the unforgettable scene of Leonard’s torture (instead of ending quite abruptly), while the first hour could be left out almost completely. Regardless of that, Body of Lies is not bad at all – it’s directed and acted with panache – it simply fails to impress. ()

Ads

POMO 

all reviews of this user

English Though it has a traditional concept and is a more than decently filmed spy thriller, Body of Lies does not have enough of the exotic atmosphere of Spy Game or the high-tech coolness of Enemy of the State to become a hit. It goes straight to the epicenter of the issue of contemporary Islamic terrorism and does so with perfect action scenes. But even though it keeps switching between different locations and the plot moves forward at a decent pace, I still feel like it’s actually stuck in one place. That is probably because everything apart from spy machinations seems both superfluous and half- baked (the attempt to depict the background of Crowe’s character, or DiCaprio’s relationship with the local girl). And it needs a different kind of ending. ()

Othello 

all reviews of this user

English "That is impossible. Because it will mean that you sat in my office and you lied to my face." The clash between the vibrant Arab world and the cold detachment of the systemic West is the most important message of the leftist Scott. Above all the final thought – better to live in a world where evil and therefore its counterpart is clear than in a sterilized system built on hypocrisy. This is nicely illustrated by the final scene, with DiCaprio shopping for oranges in a busy Arab marketplace while Crowe takes the foil off the vacuum-packed cut fruit in an empty airport lounge. Surprisingly, it doesn't jump out of context at all. What's terribly gratifying is the unsaid, which sometimes keeps the conflicts from even hitting fertile ground (a code of honor that DiCaprio is somehow unable to uphold throughout the film), but of course that's not the film's problem, it's the viewer's. The only downside I see is the script, which seemed to me to be perhaps gradating in reverse, and in general the final deus ex machina in the last moment is such a libation to film history... Nevertheless, Scott succeeds again in full. ()

Isherwood 

all reviews of this user

English I came away from this two-hour conversation film, which cynically glosses over the current tense situation in the Arab world, and occasionally, as if unwittingly, jumps to some good action sequences, knowing I was going to give it four pure stars. But a day has passed now and I’m more and more puzzled by the fact that Scott and Monahan thought it through even deeper, that the black humor is damn chilling and that the current state of the region cannot actually be changed, although it also cannot be prolonged indefinitely. Immediately afterward, my mind flashed to the perfect acting trio of a certain Crowe, the uncompromising DiCaprio, and especially the chillingly charismatic Strong. In addition, the honestly sharp visuals and the fact that this blockbuster autumn probably won't get any more stimulating ensure that I’m giving it the full five stars. Ridley’s rolling Hollywood in his old age like nobody’s business! Edit: It's not as good the second time around, but still a strong 4 stars. ()

Gallery (41)